Bibliographie

• Arellano Jerónimo, « Comparative Media Studies in Latin America », Revista de Estudios Hispánicos, n^o 50, 2016, p. 281-291.
• Barthes Roland, La chambre claire, Paris, Gallimard, 1980.
• Cohen Matthew and Glover Jeffrey, Colonial Mediascapes: Sensory Worlds of the Early Americas, Lincoln – Londres, University of Nebraska Press, 2014.
• Cornejo Polar Antonio, Escribir en el aire: ensayo sobre la heterogeneidad socio-cultural en las literaturas andinas, Lima, Editorial Horizonte, 1994.
• De los Ríos Valeria, « Tierra en movimiento (2014) de Tiziana Panizza. Materialidad, memoria y supervivencia », Catedral tomada. Revista de Crítica Latinoamericana, n^o 5, 2017, p. 45-66.
• Depetris Chauvin Irene, « Mirar, escuchar, tocar. Políticas y poéticas de archivo en Tierra sola (2017) de Tiziana Panizza », 452°F, n^o 18, 2018, p. 106-129.
• Doane Mary Ann, « The Indexical and the Concept of Medium Specificity », Differences, n^o 18, 2007, p. 128-152.
• Edwards Elizabeth, « Salvaging Our Past: Photography and Survival », in Christopher Morton and Elizabeth Edwards (dir.), Photography, Anthropology and History. Expanding the Frame, Londres, Routledge, 2016, p. 67-88.
• Fabian Johannes, Time and the Other. How Anthropology Makes its Object, New York, Columbia University Press, 1983.
• Geoghagen Bernhard Dionysis, « After Kittler: On the Cultural Techniques of Recent German Media Theory », Theory, Culture and Society, n^o 30, 2013, p. 66-82.
• Gumbrecht Hans Ulrich, « Rhythm and Meaning », in Hans Ulrich Gumbrecht and K. Ludwig Pfeiffer (dir.), Materialities of Communication, Stanford, CA, Stanford University Press, 1994, p. 170-182.
• Hayles Katherine et Pressman Jessica, Comparative Textual Media: Transforming the Humanities in the Postprint Era, Minneapolis, University of Minnesota Press, 2013.
• Hayles Katherine, My Mother Was a Computer, Chicago, Chicago University Press, 2005.
• Hayles Katherine, Writing Machines, Cambridge – Londres, MIT Press, 2002.
• Hayles Katherine, How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics, Chicago, University of Chicago Press, 1999.
• Macho Thomas, « Second-Order Animals: Cultural Techniques of Identity and Identification », Theory, Culture and Society, n^o 30, 2013, p. 30-47.
• Mignolo Walter, Hill Boone Elizabeth, Writing Without Words. Alternative Literacies in Mesoamerica and the Andes, Durham, NC, Duke University Press, 1994.
• Mignolo Walter, The Darker Side of Western Modernity. Global Futures, Decolonial Options, Durham, NC, Duke University Press, 2011, p. 181-209.
• Panizza Tiziana, « Joris Ivens: Valparaíso entre la poesía y la crítica », Bifurcaciones. Revista de estudios culturales urbanos, n^o 11, 2012, p. 1-6.
• Pinto Veas Iván, « Documental (entrevista con Tiziana Panizza) », La Fuga, n^o 4, 2007.
• Rony Fatimah, The Third Eye. Race, Cinema and Ethnographic Spectacle, Durham, NC, Duke University Press, 2001.
• Ruby Jay, « Ethnography as Trompe l’œil: Film and Anthropology », in Jay Ruby (dir.), A Crack in the Mirror: Reflexive Perspectives in Anthropology, Philadelphia, University of Pennsylvania Press, 1982, p. 121-132.
• Siegert Berhard, Cultural Techniques: Grids, Filters, Doors and Other Articulations of the Real, New York, Fordham University Press, 2015.
• Siegert Berhard, « The map is the territory », Radical Philosophy, n^o 169, 2011, p. 13-16.
• Taussig Michael, Mimesis and Alterity. A Particular History of the Senses, New York, Routledge, 1993.
• Trinh T. Minh-Ha, « Reassemblage », in Stefan St. Laurent, Tam-Ca Vo-Van (dir.), Ethnographie expérimentale en art contemporain, Ottawa, SAW Gallery, Toronto, YYZ Books, 2006, p. 124-135.
• Vismann Cornelia, « Cultural Techniques and Sovereignty », Theory, Culture and Society, n^o 30, 2013, p. 83-93.
• Winthrop Young Geoffrey, « Material World: An Interview with Bernhard Siegert », Artforum, 2015. En ligne : https://www.artforum.com/print/201506/material-world-an-interview-with-bernhard-siegert-52281.
• Zumthor Paul, « Oralité », Intermédialités, n^o 12, 2008, p. 169-202.