Journal article

Mahler as a Prophet

Pages 118 to 127

Cite this article


  • Bisson, F.
(2013). Mahler as a Prophet. Multitudes, No 55(4), 118-127. https://doi.org/10.3917/mult.055.0118.

  • Bisson, Frédéric.
« Mahler as a Prophet ». Multitudes, 2013/4 No 55, 2013. p.118-127. CAIRN.INFO, shs.cairn.info/journal-multitudes-2013-4-page-118?lang=en.

  • BISSON, Frédéric,
2013. Mahler as a Prophet. Multitudes, 2013/4 No 55, p.118-127. DOI : 10.3917/mult.055.0118. URL : https://shs.cairn.info/journal-multitudes-2013-4-page-118?lang=en.

https://doi.org/10.3917/mult.055.0118


English

Both grandiose and ironic, Gustav Mahler’s Third Symphony epitomizes all the paradoxes of post-romanticism. Build on the stylistic contrast between “high” music and common one, the first movement of the Symphony points out the perspective from which the romantic megalomania can become something really revolutionary: the minority-perspective. Thus the Symphony shows how “grand politics” is nowadays still possible.

This article is available in conditional access

Subscribe to Cairn Pro

Starting at €18 per month

170 full-text journals at the heart of your profession
Already subscribed to Cairn Pro? Member of a client institution?