Multitudes 2011/3 No 46
Journal article

Techno-rhythm

Pages 199 to 205

Cite this article

  • KYROU, Ariel,
2011. Techno-rhythm. Multitudes, 2011/3 No 46, p.199-205. DOI : 10.3917/mult.046.0199. URL : https://shs.cairn.info/journal-multitudes-2011-3-page-199?lang=en.
  • Kyrou, Ariel.
« Techno-rhythm ». Multitudes, 2011/3 No 46, 2011. p.199-205. CAIRN.INFO, shs.cairn.info/journal-multitudes-2011-3-page-199?lang=en.
  • Kyrou, A.
(2011). Techno-Rhythm. Multitudes, No 46(3), 199-205. https://doi.org/10.3917/mult.046.0199.

https://doi.org/10.3917/mult.046.0199

Abstract
Authors

Cite this article

  • Kyrou, A.
(2011). Techno-Rhythm. Multitudes, No 46(3), 199-205. https://doi.org/10.3917/mult.046.0199.
  • Kyrou, Ariel.
« Techno-rhythm ». Multitudes, 2011/3 No 46, 2011. p.199-205. CAIRN.INFO, shs.cairn.info/journal-multitudes-2011-3-page-199?lang=en.
  • KYROU, Ariel,
2011. Techno-rhythm. Multitudes, 2011/3 No 46, p.199-205. DOI : 10.3917/mult.046.0199. URL : https://shs.cairn.info/journal-multitudes-2011-3-page-199?lang=en.

https://doi.org/10.3917/mult.046.0199

French
English

The evolutive rhythm of technologies is irreducible to the diffusion of innovations cycle, as it has been formalized by sociologist Everett Rogers. The techno-rhythm is not economical, but rather cultural. As such, it consists of the multiplicity of uses, often unpredictable, which misappropriate the products and services, sometimes to turn them against power. Two highlights illustrate this rhythm: 1966-1969, the psychedelic explosion; 1986-1989, the birth of acid house.

Uploaded: 09/21/2011

https://doi.org/10.3917/mult.046.0199

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