<?xml version="1.0" encoding="UTF-8" ?>
<feed xmlns="http://www.w3.org/2005/Atom">
    <title>Revue française d’études américaines | Cairn.info</title>
    <icon>https://shs.cairn.info/build/assets/cairn-B7RWiji2.png</icon>
    <id>tag:cairn.info,2005:rss/revue/E_RFEA</id>
    <rights>Cairn.info 2026</rights>

    <link href="https://shs.cairn.info/rss/revue/E_RFEA" rel="self" type="application/atom+xml" />
    <link href="https://shs.cairn.info?lang=en" type="text/html" />

    <updated>2025-10-01T00:00:00+02:00</updated>

                <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_184</id>
    <title type="html"><![CDATA[
        Power / Empowerment: Claiming Political and Aesthetic Power in the
United States
                    | Revue française d’études américaines
            (2025/3)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-francaise-detudes-americaines-2025-3?lang=en" type="text/html" rel="alternate" />
            <published>2025-07-24T00:00:00+02:00</published>
                <updated>2025-10-01T00:00:00+02:00</updated>
                <summary type="html"><![CDATA[<p>Alors que le mouvement #MeToo semblait traduire un
empouvoirement des femmes gra^ce a` la libe´ration de la parole au
sujet des violences sexistes et sexuelles et a` l'influence
croissante des mouvements fe´ministes contemporains, l'arre^t de la
Cour Supre^me Dobbs v. Jackson en 2022 a marque´ un recul patent
des droits des femmes. Le pouvoir juridique, aux mains de juges
conservateurs, a mis en danger l'acce`s a` l'avortement pour des
millions de personnes aux E´tats-Unis.</p>
<p>Le numéro 184 de la RFEA , autour du the`me " Pouvoir et
empouvoirement ", e´tudie les affinite´s, tensions et conflits
entre ces deux concepts. L'histoire politique, litte´raire et
culturelle e´tasunienne semble traverse´e par une tension entre
le(s) pouvoir(s) et les groupes minoritaires aux strate´gies
d'empouvoirement multiples, comme l'avait esquisse´ la the´matique
du numéro 176 " Le´gitimite´, autorite´, canons ".</p>
<p>En conse´quence, le contexte nord-ame´ricain est
particulie`rement pertinent pour penser l'articulation entre
pouvoir et empouvoirement, invitant a` une re´flexion scientifique
attentive sur son sens, sa cohe´rence et ses usages. Si le terme d'
empowerment existe depuis le milieu du XIX<sup>e</sup> siècle, et
désignait alors une action visant à donner du pouvoir, son
acception critique actuelle trouve une origine militante : celle-ci
émerge au sein des milieux féministes étasuniens dans les années
soixante-dix, avant de se diffuser dans les milieux universitaires
et professionnels (notamment dans le travail social) à partir des
années quatre-vingts.</p>
<p>Bien qu'il demeure entouré d'un certain flou conceptuel, le
concept d'empouvoirement désigne généralement une démarche
d'émancipation individuelle ou collective, ancrée dans un projet de
transformation sociale ou politique. S'interroger sur la tension
entre pouvoir et empouvoirement implique donc d'interroger les
rapports de pouvoir et de domination et les multiples manières dont
les individus et les groupes sociaux s'efforcent de les redéfinir,
par l'action sociale et politique ainsi que par les représentations
et les discours littéraires et artistiques.</p>
]]></summary>
        <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 1 to 3| Front Matter
                                    </li>
                            <li>
                     Pages 4 to 12| Power / Empowerment: Claiming Political and Aesthetic Power in the
United States
                                            |  Anouk Bottero,  Tamara Boussac,  Esther Cyna,  Audrey Haensler
                                    </li>
                            <li>
                     Pages 13 to 31| A Panther in the conquest of power: Larry Little, the Black
Movement, and empowerment through the ballot box in Winston-Salem,
North Carolina (1969–1985)
                                            |  Anissa Khamkham
                                    </li>
                            <li>
                     Pages 32 to 45| To Give a Language: A Study of Storytelling in Colson Whitehead’s
<i>The Nickel Boys</i>
                                            |  Astrid Maes
                                    </li>
                            <li>
                     Pages 46 to 60| Countercultural Environmentalism and Indigenous Religions in the
Long Sixties: Empowerment and Appropriation
                                            |  Tiphaine Calcoen
                                    </li>
                            <li>
                     Pages 61 to 76| Empowering to Better Crush Martha Mitchell: <i>Gaslit</i>
(StarzPlay, 2022), a Revisionist Take on Watergate
                                            |  Julie Assouly
                                    </li>
                            <li>
                     Pages 77 to 92| Resistance under the Influence? “Subliminal Rebellion” in <i>My
Year of Rest and Relaxation</i> by Ottessa Moshfegh
                                            |  Sophie Chapuis
                                    </li>
                            <li>
                     Pages 93 to 109| Metafiction and Empowerment in Post-Network Television: the Case
of&#160;<i>GLOW</i>&#160;(Netflix, 2017-2019)
                                            |  Flavia Ciontu
                                    </li>
                            <li>
                     Pages 110 to 126| “People Who Don’t Drink Wilkins Coffee Just Blow up Sometimes”:
Advertising Power and Puppet Punishment in Jim Henson’s Commercials
                                            |  Valentine Vasak
                                    </li>
                            <li>
                     Pages 127 to 129| Adam Kelly, <i>New Sincerity. American Fiction in the Neoliberal
Age</i>, Stanford: Stanford University Press, 2024, 386&#160;p.
                                            |  Sigolène Vivier
                                    </li>
                            <li>
                     Pages 129 to 131| Paolo Pitari, <i>The Problem of Free Will in David Foster
Wallace</i>, London: Routledge, 2024, 286&#160;p.
                                            |  Pierre-Antoine Pellerin
                                    </li>
                            <li>
                     Pages 131 to 133| Hugo Bouvard, <i>Gays et lesbiennes en politique. Représenter les
minorités sexuelles en France et aux États-Unis</i>, Presses
universitaires du Septentrion, Lille, 2024, 375&#160;p.
                                            |  Sébastien Mignot
                                    </li>
                            <li>
                     Pages 133 to 135| Christen Bryson, Anne Légier, Amélie Ribieras, eds, <i>Womanhoods
and Equality in the United States: 20-21<sup>st</sup> Century
Perspectives</i>, New York: Routledge, 2024, 242&#160;p.
                                            |  Marla Brettschneider
                                    </li>
                            <li>
                     Pages 138 to 141| Back Matter
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_183</id>
    <title type="html"><![CDATA[
        Thinking Architecture in the United States
                    | Revue française d’études américaines
            (2025/2 n° 183)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-francaise-detudes-americaines-2025-2?lang=en" type="text/html" rel="alternate" />
            <published>2025-07-23T00:00:00+02:00</published>
                <updated>2025-08-12T00:00:00+02:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 1 to 2| Front Matter
                                    </li>
                            <li>
                     Pages 3 to 15| Thinking Architecture in the United States: An Introduction
                                            |  Klaus Benesch,  François Specq
                                    </li>
                            <li>
                     Pages 16 to 29| Architecture and/as Hospitality: Thoreau and Adorno
                                            |  Klaus Benesch
                                    </li>
                            <li>
                     Pages 30 to 46| Concrete Ecologies: Brutalist Architecture in the United States
                                            |  Hanjo Berressem
                                    </li>
                            <li>
                     Pages 47 to 60| Between function and symbol: Lewis Mumford, architectural thinker
                                            |  Mickaël Labbé
                                    </li>
                            <li>
                     Pages 61 to 83| American park systems at the 1900 Paris World's Fair
                                            |  Loïc Massias
                                    </li>
                            <li>
                     Pages 84 to 102| Victor Gruen, environmental architect?
                                            |  Catherine Maumi
                                    </li>
                            <li>
                     Pages 103 to 118| Pragmatist philosophy put to the test in urban architectural space:
from John Dewey to Frank Lloyd Wright's Broadacre City
                                            |  Céline Bonicco-Donato
                                    </li>
                            <li>
                     Pages 119 to 138| Framing Ruins: Impermanence and American Cultural Narratives
                                            |  Miles Orvell
                                    </li>
                            <li>
                     Pages 139 to 158| <i>What About Juvenile Delinquency?</i> (1955)
                                            |  Favian Mostura
                                    </li>
                            <li>
                     Pages 159 to 160| Sylvie Bauer, Nawelle Lechevalier-Bekadar et Florian Tréguer, eds.
                                            |  Véronique Béghain
                                    </li>
                            <li>
                     Pages 161 to 163| Nicholas Manning
                                            |  Matthew Redmond
                                    </li>
                            <li>
                     Pages 164 to 166| Pilar Martínez Benedí and Ralph James Savarese
                                            |  Timothy Marr
                                    </li>
                            <li>
                     Pages 167 to 173| Back Matter
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_182</id>
    <title type="html"><![CDATA[
        African American Voices from the Harlem Renaissance to the Present:
Establishing/Abolishing Authority
                    | Revue française d’études américaines
            (2025/1 n° 182)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-francaise-detudes-americaines-2025-1?lang=en" type="text/html" rel="alternate" />
            <published>2025-04-22T00:00:00+02:00</published>
                <updated>2025-05-06T00:00:00+02:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 1 to 3| Front Matter
                                    </li>
                            <li>
                     Pages 4 to 19| African American Literary Voices: (Un)doing Authority, from the
Harlem Renaissance to Today
                                            |  Yasna Bozhkova,  Carline Encarnación
                                    </li>
                            <li>
                     Pages 20 to 34| Claude McKay and Early Jazz, from “The Negro Dancers”
to&#160;<i>Home to Harlem</i> (1919-1928)
                                            |  Benoît Tadié
                                    </li>
                            <li>
                     Pages 35 to 49| Intertextuality and Doubles in&#160;Two Black Bohemian Novels
of&#160;the Harlem Renaissance
                                            |  Elisa Cecchinato
                                    </li>
                            <li>
                     Pages 50 to 63| “Signifying” underground voices: intertextual and intermedial
experiments in the basements of Richard Wright, Ralph Ellison,
Richard Saunders, and Gordon Parks
                                            |  Florian Bousquet
                                    </li>
                            <li>
                     Pages 64 to 76| Counterpoint: Resonances of the Note in John Keene's
<i>Annotations</i> (1995) and Christina Sharpe's <i>Ordinary
Notes</i> (2023)
                                            |  Flora Valadié
                                    </li>
                            <li>
                     Pages 77 to 91| Testimonies for others and shared authority in Edwidge Danticat's
<i>Brother, I'm Dying</i> (2007)
                                            |  Kerry-Jane Wallart
                                    </li>
                            <li>
                     Pages 92 to 106| Text paintings, book paintings, and code poems: rethinking the
history of the confiscation of writing in the work of three Black
American artists, Glenn Ligon, Theaster Gates, and Adam Pendleton
                                            |  Antonia Rigaud
                                    </li>
                            <li>
                     Pages 107 to 123| The dark lyricism of Jesmyn Ward in <i>Let Us Descend</i> (2023)
                                            |  Frédérique Spill
                                    </li>
                            <li>
                     Pages 124 to 144| “It Would Take a lot of Wisdom to Say ‘Go slow’”: Faulkner’s Public
Sights on Race, the American Press and the Response of the Civil
Rights Movement
                                            |  Béatrice Melodia Festa
                                    </li>
                            <li>
                     Pages 145 to 149| Loïc Wacquant
                                            |  David Diallo
                                    </li>
                            <li>
                     Pages 149 to 152| Marjolaine Boutet
                                            |  Dennis Tredy
                                    </li>
                            <li>
                     Pages 152 to 154| Anne Crémieux
                                            |  Hélène Breda
                                    </li>
                            <li>
                     Pages 154 to 156| Nawelle Lechevalier-Bekadar
                                            |  Anne Ullmo
                                    </li>
                            <li>
                     Pages 156 to 158| Stéphane Vanderhaeghe
                                            |  Béatrice Pire
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_181</id>
    <title type="html"><![CDATA[
        Mainstreaming Intersectionality in Contemporary Cinema and
Television
                    | Revue française d’études américaines
            (2024/4 n° 181)
            ]]></title>
            <subtitle type="html">
            <![CDATA[Cinéma et séries : filmer l'intersectionnalité pour le grand public]]>
        </subtitle>
        <link href="https://shs.cairn.info/journal-revue-francaise-detudes-americaines-2024-4?lang=en" type="text/html" rel="alternate" />
            <published>2024-11-20T00:00:00+01:00</published>
                <updated>2024-11-27T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 13| Mainstreaming Intersectionality in Contemporary Cinema
and&#160;Television
                                            |  Hélène Charlery,  Mikaël Toulza
                                    </li>
                            <li>
                     Pages 14 to 35| Can You Sell an Intersectional Narrative in the Early 2010s?
The&#160;Case of Dee Rees’s <i>Pariah</i> (2011)
                                            |  Hélène Charlery
                                    </li>
                            <li>
                     Pages 36 to 52| Intersectionality in the Galactic Empire: <i>Foundation</i> and the
Politics of “Woke” Sci-Fi
                                            |  Sara El Majhad
                                    </li>
                            <li>
                     Pages 53 to 69| “It’s Called Intersectionality, Bitch” Reboot Politics in <i>Queer
as Folk</i> (Peacock, 2022)
                                            |  Sébastien Mignot
                                    </li>
                            <li>
                     Pages 70 to 88| Practical Feminist Politics in <i>Minx</i> (HBO, Starz, 2022-2023):
Mainstreaming the Roots of Intersectionality in TV Series
                                            |  Laura Benoit
                                    </li>
                            <li>
                     Pages 89 to 107| Intersectionality under the microscope: examining intersecting
forms of discrimination in mainstream medical TV series
                                            |  Emmanuelle Delanoë-Brun
                                    </li>
                            <li>
                     Pages 108 to 126| The South, the Nation, and Regional Identity in New England’s
Federalists’ Writings: Jedidiah Morse’s <i>American Geographies</i>
                                            |  Lucia Bergamasco
                                    </li>
                            <li>
                     Pages 127 to 140| “Strike till the iron is hot”: Listening to Marianne Moore through
Virgil Thomson
                                            |  James Strowman
                                    </li>
                            <li>
                     Pages 141 to 143| Olivier Burtin
                                            |  Antoine Nséké Missé
                                    </li>
                            <li>
                     Pages 143 to 145| Yohanna Alimi-Levy, <i>La démocratie américaine et les révolutions
françaises de&#160;1830 et 1848</i>, Paris: Sorbonne Université
Presses, 2023, 478&#160;pages
                                            |  Michaël Roy
                                    </li>
                            <li>
                     Pages 145 to 147| David Greven, <i>All the Devils are Here: American Romanticism and
Literary Influence</i>, Charlottesville: University of Virginia
Press, 2024, 308&#160;pages
                                            |  Justina Torrance
                                    </li>
                            <li>
                     Pages 147 to 149| Dana Luciano, <i>How the Earth Feels: Geological Fantasy in the
Nineteenth-Century United States</i>, Durham: Duke University
Press, 2024, 242&#160;pages
                                            |  Melissa Gniadek
                                    </li>
                            <li>
                     Pages 149 to 151| Jesse McCarthy, <i>The Blue Period: Black Writing in the Early Cold
War</i>, Chicago: University of Chicago Press, 2024, 298&#160;pages
                                            |  Yohann Lucas
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_180</id>
    <title type="html"><![CDATA[
        Voice(s), Sound(s), Noise(s), Silence(s): Listening to the United
States of America
                    | Revue française d’études américaines
            (2024/3 N° 180)
            ]]></title>
            <subtitle type="html">
            <![CDATA[Voice(s), Sound(s), Noise(s), Silence(s): Listening to the United
States of America]]>
        </subtitle>
        <link href="https://shs.cairn.info/journal-revue-francaise-detudes-americaines-2024-3?lang=en" type="text/html" rel="alternate" />
            <published>2024-09-20T00:00:00+02:00</published>
                <updated>2024-09-20T00:00:00+02:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 11| Introduction
                                            |  Anaïs Le Fèvre-Berthelot,  Antonia Rigaud,  Aliette Ventéjoux
                                    </li>
                            <li>
                     Pages 12 to 27| “resonant / beyond escape”: Adrienne Rich’s Fugitive Voice
                                            |  Hal Coase
                                    </li>
                            <li>
                     Pages 28 to 40| From reader to performer: methodological reflections for a study on
reading North American multilingual poetry aloud
                                            |  Élise Angioi
                                    </li>
                            <li>
                     Pages 41 to 54| « <i>There is a sound and alteration</i> »: musicality, sound
mechanization, and silence in <i>Adam &amp; Eve &amp; The City</i>
(1936) by William Carlos Williams
                                            |  Samantha Lemeunier
                                    </li>
                            <li>
                     Pages 55 to 70| The Latin Lover Narrator as Cultural Mediator in <i>Jane the
Virgin</i>
                                            |  Rim Khaled
                                    </li>
                            <li>
                     Pages 71 to 87| How Can a White Man Sound Black? The Racialization of the Voices of
Black Music Disc Jockeys in the U.S. (1950s-1960s)
                                            |  Tristan Pinet-Le Bras
                                    </li>
                            <li>
                     Pages 89 to 104| « <i>To redpill a normie</i> » : the communication strategies of
the <i>alt-right</i> and the political voice of the far right on
the Internet
                                            |  Maxime Dafaure
                                    </li>
                            <li>
                     Pages 105 to 122| A musical expression of urgency and nihilism: the birth of American
hardcore punk
                                            |  Sangheon Lee
                                    </li>
                            <li>
                     Pages 123 to 137| The voices of the voiceless and the silence of fathers: translating
Jakob Guanzon's <i>Abundance</i>
                                            |  Charles Bonnot
                                    </li>
                            <li>
                     Pages 138 to 153| Earth and Heaven in American Poetry: An Essay in Astrocriticism
                                            |  Brad Tabas
                                    </li>
                            <li>
                     Pages 154 to 156| Mathieu Duplay, <i>Les œuvres scéniques de John Adams : L’opéra ou
les frontières du littéraire</i>, Paris: Honoré Champion, 2023, 353
pages
                                            |  Florent Dubois
                                    </li>
                            <li>
                     Pages 156 to 158| Emmanuelle Delanoë-Brun, <i>Passions criminelles. Les séries
policières anglophones, entre conservatisme et progressisme</i>,
Tours: Presses universitaires François-Rabelais, “Sérial” series,
2023, 328 pages
                                            |  Benjamin Campion
                                    </li>
                            <li>
                     Pages 158 to 160| Celeste-Marie Bernier, <i>Battleground: African American Art
1985-2015</i>, Athens: The University of Georgia Press, 2023, 248
pages
                                            |  Clémentine Tholas
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_179</id>
    <title type="html"><![CDATA[
        A Restless Nation (1815–1860)
                    | Revue française d’études américaines
            (2024/2 N° 179)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-francaise-detudes-americaines-2024-2?lang=en" type="text/html" rel="alternate" />
            <published>2024-06-12T00:00:00+02:00</published>
                <updated>2024-06-25T00:00:00+02:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 15| From Democratic to Restless America 1815-1860: A Paradigm Shift
                                            |  Pierre Gervais,  Augustin Habran,  Auréliane Narvaez,  Marie-Jeanne Rossignol
                                    </li>
                            <li>
                     Pages 16 to 34| Oaths and Anti-Masonry in the Early American Republic
                                            |  Kevin Butterfield
                                    </li>
                            <li>
                     Pages 35 to 56| <i>«&#160;Where are the names of our illustrious ones?&#160;»</i>
The construction of an African-American pantheon, 1820s-Civil War
                                            |  Claire Parfait
                                    </li>
                            <li>
                     Pages 57 to 76| «&#160;<i>A kind of Thomas Paine among her sisterhood</i> Ernestine
Rose's cosmopolitan free thinking and the heterodox sources of
women's rights activism in the United States (1830-1860)
                                            |  Auréliane Narvaez
                                    </li>
                            <li>
                     Pages 77 to 97| The West in Construction: Texas and Indian Territory at the
Vanguard of American Imperial Expansion
                                            |  Andrea Kökény,  Augustin Habran
                                    </li>
                            <li>
                     Pages 98 to 115| The New American Republics and the Cult of the Hero: Bolívar and
Jackson
                                            |  Véronique Hébrard,  Marie-Jeanne Rossignol
                                    </li>
                            <li>
                     Pages 116 to 135| “The fear that the experiment in freedom may fail”: an Interview
with John Lauritz Larson
                                            |  Pierre Gervais,  Augustin Habran,  Auréliane Narvaez,  Marie-Jeanne Rossignol
                                    </li>
                            <li>
                     Pages 136 to 149| “I, too, dislike it”: Ben Lerner’s Poetic Filiation with Marianne
Moore
                                            |  Yasna Bozhkova
                                    </li>
                            <li>
                     Pages 150 to 152| Florian Tréguer
                                            |  Mathias Kusnierz
                                    </li>
                            <li>
                     Pages 152 to 153| Leigh Claire La Berge
                                            |  Emma Thiébaut
                                    </li>
                            <li>
                     Pages 153 to 156| Laurence Cossu-Beaumont
                                            |  Céline Mansanti
                                    </li>
                            <li>
                     Pages 156 to 158| Marie-Jeanne Rossignol
                                            |  Nele Sawallisch
                                    </li>
                            <li>
                     Pages 158 to 160| Éliane Elmaleh, Benaouda Lebdai and Delphine Letort
                                            |  Anne-Claire Faucquez
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_178</id>
    <title type="html"><![CDATA[
        Lignes
                    | Revue française d’études américaines
            (2024/1 N° 178)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-francaise-detudes-americaines-2024-1?lang=en" type="text/html" rel="alternate" />
            <published>2024-03-25T00:00:00+01:00</published>
                <updated>2024-04-23T00:00:00+02:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 14| A Tangent to this Sphere
                                            |  Julien Nègre
                                    </li>
                            <li>
                     Pages 15 to 40| Lines of Erasure: How the Survey of William Penn’s Settlement
Design Redefined Lenape Sovereignty in the Delaware Valley
                                            |  Agnès Trouillet
                                    </li>
                            <li>
                     Pages 41 to 54| Straight Lines and Deviating Paths in Lydia Maria Child’s
<i>Hobomok; A Tale of Early Times</i> (1824)
                                            |  Pauline Pilote
                                    </li>
                            <li>
                     Pages 55 to 71| Beyond the Frontier Line: the Deported Southeastern Indigenous
Nations as “Civilizers” of the Great Plains
                                            |  Augustin Habran
                                    </li>
                            <li>
                     Pages 72 to 88| Home Front Lines: The Telegraphic Ballistics of Emily Dickinson’s
Civil War Poetry
                                            |  Jamie Fenton
                                    </li>
                            <li>
                     Pages 89 to 104| The Art of Line in William Faulkner's <i>As I Lay Dying</i>: An
Aesthetic of Turbulence
                                            |  Frédérique Spill
                                    </li>
                            <li>
                     Pages 105 to 119| Lines of Hunters in David Vann's <i>Goat Mountain</i>
                                            |  Claire Cazajous-Augé
                                    </li>
                            <li>
                     Pages 120 to 133| The Front Line in American War Literature
                                            |  Cody Marrs
                                    </li>
                            <li>
                     Pages 134 to 143| The Promise of a Personal Relevance: an Interview with Beth Blum
                                            |  Nicholas Manning
                                    </li>
                            <li>
                     Pages 144 to 146| Kelly Ross
                                            |  Pauline Pilote
                                    </li>
                            <li>
                     Pages 146 to 148| Robert D. Richardson
                                            |  Alice de Galzain
                                    </li>
                            <li>
                     Pages 148 to 150| Olivier Zunz
                                            |  Jean-Marie Ruiz
                                    </li>
                            <li>
                     Pages 150 to 152| Yasna Bozhkova
                                            |  Aurore Clavier
                                    </li>
                            <li>
                     Pages 152 to 154| Cody Marrs
                                            |  Ronan Ludot-Vlasak
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_177</id>
    <title type="html"><![CDATA[
        A Contested Legacy: The Memory of World War II in the United States
                    | Revue française d’études américaines
            (2023/4 N° 177)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2023-4?lang=en" type="text/html" rel="alternate" />
            <published>2023-10-23T00:00:00+02:00</published>
                <updated>2023-11-02T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 14| A Contested Legacy: The Memory of World War II in the United States
                                            |  Ambre Ivol,  Simona Tobia
                                    </li>
                            <li>
                     Pages 15 to 26| “Over There”: Making Sense of America’s Partial View of the Second
World War. An Interview With Stephen Bourque
                                            |  Ambre Ivol
                                    </li>
                            <li>
                     Pages 27 to 47| Stephen E. Ambrose, Patriot and Historian
                                            |  Andrew Knapp
                                    </li>
                            <li>
                     Pages 48 to 66| “Stop The War, I Want to Get Out”: DC Comics’ Sgt Rock and
Complicating Images of America’s Second World War
                                            |  James Sandy
                                    </li>
                            <li>
                     Pages 67 to 84| Was it a Good War? Film, Memoir, and the Memory of the American
Strategic Bombing Campaign
                                            |  Sam Edwards
                                    </li>
                            <li>
                     Pages 85 to 109| Confronting the “Good War”: The Policies of the Radical Left in the
United States
                                            |  Olivier Maheo
                                    </li>
                            <li>
                     Pages 110 to 126| The Dharma Gaze of Poet Anne Waldman: an Interview on the Founding
of Naropa University and its “Infrastructure Poetics”
                                            |  Laurence Bécel
                                    </li>
                            <li>
                     Pages 127 to 129| Pauline Peretz
                                            |  François Doppler-Speranza
                                    </li>
                            <li>
                     Pages 129 to 131| Jean Kempf
                                            |  Daniel Foliard
                                    </li>
                            <li>
                     Pages 131 to 133| Luke Stewart, ed.
                                            |  James Cohen
                                    </li>
                            <li>
                     Pages 133 to 135| François Doppler-Speranza
                                            |  Hélène Solot
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_176</id>
    <title type="html"><![CDATA[
        Legitimacy, Authority, Canons: Perspectives on the Construction of
an American Identity
                    | Revue française d’études américaines
            (2023/3 N° 176)
            ]]></title>
        <link href="https://shs.cairn.info/revue-revue-francaise-detudes-americaines-2023-3?lang=en" type="text/html" rel="alternate" />
            <published>2023-10-20T00:00:00+02:00</published>
                <updated>2023-10-30T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 15| Legitimacy, Authority, Canons: Perspectives on the Construction of
an American Identity
                                            |  Sébastien Mort,  Sylvie Bauer,  Elizabeth Mullen
                                    </li>
                            <li>
                     Pages 16 to 27| The authority in question in Richard Powers's <i>The Gold Bug
Variations</i>
                                            |  Jean-Yves Pellegrin
                                    </li>
                            <li>
                     Pages 28 to 51| Finding Photographic Recognition in the City: The
Chicagoland-in-Pictures Amateur Historical Photography Project
                                            |  Éliane de Larminat
                                    </li>
                            <li>
                     Pages 52 to 65| Deconstruction of law and the future of justice in Herman
Melville's “Benito Cereno”: regarding the deposition of Amasa
Delano
                                            |  Caroline Hildebrandt
                                    </li>
                            <li>
                     Pages 66 to 81| Ezra Pound’s Negative Canon: The Worst Great Poets
                                            |  Emilie Georges
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_175</id>
    <title type="html"><![CDATA[
        Frustration
                    | Revue française d’études américaines
            (2023/2 N° 175)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-francaise-detudes-americaines-2023-2?lang=en" type="text/html" rel="alternate" />
            <published>2023-05-22T00:00:00+02:00</published>
                <updated>2023-05-24T00:00:00+02:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 12| Frustration
                                            |  Yves Gardes
                                    </li>
                            <li>
                     Pages 13 to 24| “Infinite Subdued Vexation”: Love, Agency, and Frustration in
Melville’s&#160;<i>Pierre; or the Ambiguities</i>
                                            |  Michael Jonik
                                    </li>
                            <li>
                     Pages 25 to 37| Frustrating Facts: Susan Howe’s Special View of History
                                            |  Xavier Kalck
                                    </li>
                            <li>
                     Pages 38 to 52| Jason Schwartz, or broken fiction
                                            |  Stéphane Vanderhaeghe
                                    </li>
                            <li>
                     Pages 53 to 67| Individual and collective frustrations in Laird Hunt's <i>In the
House in the Dark of the Woods</i>: restorative writing?
                                            |  Anne-Laure Tissut
                                    </li>
                            <li>
                     Pages 68 to 81| “This Spirit of Persecution Was the Cause of Our Convention”: the
National Colored Conventions of the 1830s as an Early Movement for
Black Civil Rights
                                            |  Claire Bourhis-Mariotti
                                    </li>
                            <li>
                     Pages 82 to 98| “Don’t Take the Bait:” The Role of Marshals in the Regulation of
New York City Protests
                                            |  Charlotte Thomas-Hébert
                                    </li>
                            <li>
                     Pages 99 to 106| Three Volumes from the “<i>To</i>” Poetry Series
                                            |  Vincent Dussol
                                    </li>
                            <li>
                     Pages 107 to 109| Claire Cazajous-Augé
                                            |  Bénédicte Meillon
                                    </li>
                            <li>
                     Pages 109 to 111| Thomas Constantinesco
                                            |  Laure de Nervaux-Gavoty
                                    </li>
                            <li>
                     Pages 111 to 113| Bénédicte Deschamps
                                            |  Will Slauter
                                    </li>
                            <li>
                     Pages 113 to 115| Lionel Larré, ed.
                                            |  Augustin Habran
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_174</id>
    <title type="html"><![CDATA[
        Expressing and translating Black identity in France and the United
States: racial issues, linguistic challenges, scientific
perspectives
                    | Revue française d’études américaines
            (2023/1 N° 174)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-francaise-detudes-americaines-2023-1?lang=en" type="text/html" rel="alternate" />
            <published>2023-02-24T00:00:00+01:00</published>
                <updated>2023-04-07T00:00:00+02:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 19| Expressing and translating Black identity in France and the United
States: racial issues, linguistic challenges, scientific
perspectives
                                            |  Julie Loison-Charles,  Nicolas Martin-Breteau
                                    </li>
                            <li>
                     Pages 20 to 37| Capital Dignity? Self-Appointment and Symbolic Struggles in
Black-American History
                                            |  Nicolas Martin-Breteau
                                    </li>
                            <li>
                     Pages 38 to 57| How do you say “blackness” in French? Building black identity
between France, Martinique, and the United States
                                            |  Audrey Célestine
                                    </li>
                            <li>
                     Pages 58 to 77| How to convey the meaning of the “<i>N-word</i>”? The example of
the French translation of John Grisham's <i>A Time To Kill</i>
                                            |  Corinne Wecksteen-Quinio
                                    </li>
                            <li>
                     Pages 78 to 90| Translating references to the color black in the dubbing of <i>The
Fresh Prince of Bel-Air</i>
                                            |  Julie Loison-Charles,  Nathalie Loison
                                    </li>
                            <li>
                     Pages 91 to 103| Global Jim. Translating African American Voices in Mark Twain’s
<i>Adventures of Huckleberry Finn</i> Worldwide
                                            |  Ronald Jenn
                                    </li>
                            <li>
                     Pages 104 to 121| “Characteristics of the term ‘nègre’”: translating the language of
Zora Neale Hurston
                                            |  Claudine Raynaud
                                    </li>
                            <li>
                     Pages 122 to 134| Still as strange as ever? The experimental form of <i>Strange
Interlude</i> stands the test of time
                                            |  Julie Vatain-Corfdir
                                    </li>
                            <li>
                     Pages 135 to 137| Daniel Cirera, Guy Groux and Mark Kesselman (eds.)
                                            |  Sean DeMoranville
                                    </li>
                            <li>
                     Pages 137 to 139| Michaël Roy
                                            |  Alexia Blin
                                    </li>
                            <li>
                     Pages 139 to 141| Vincent Broqua
                                            |  Xavier Kalck
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_173</id>
    <title type="html"><![CDATA[
        The American Revolution and Europe: New Transnational Perspectives
                    | Revue française d’études américaines
            (2022/4 N° 173)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-francaise-detudes-americaines-2022-4?lang=en" type="text/html" rel="alternate" />
            <published>2022-10-26T00:00:00+02:00</published>
                <updated>2022-11-14T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 11| Introduction
                                            |  Carine Lounissi,  Bertrand Van Ruymbeke
                                    </li>
                            <li>
                     Pages 12 to 23| The Case of Scotland in the Constitutional Debate on the American
Colonies: Benjamin Franklin’s and Adam Smith’s Visions of Empire
(1754-1776)
                                            |  Florence Petroff
                                    </li>
                            <li>
                     Pages 24 to 43| Odes to the Revolution: Alfieri’s&#160;<i>L’America libera</i>
                                            |  Stefania Buccini
                                    </li>
                            <li>
                     Pages 44 to 59| Anticolonialism in the Era of the American Revolution. An Essay
Contest at the Académie de Lyon in the 1780s
                                            |  Bertrand Van Ruymbeke
                                    </li>
                            <li>
                     Pages 60 to 77| The First French “Americanists” of the 1770s and 1780s,
the&#160;American Revolution and&#160;Atlantic History:
Beyond&#160;Mirages in the West
                                            |  Carine Lounissi
                                    </li>
                            <li>
                     Pages 78 to 96| Four Founding Fathers on the Road: New Government Design in the
United States and the Netherlands, 1776-1815
                                            |  Lauren Lauret,  Dirk Alkemade
                                    </li>
                            <li>
                     Pages 97 to 110| Facing Two Revolutions: Contemporaneous German Public Opinions of
the American and French Revolutions
                                            |  Susanne Lachenicht
                                    </li>
                            <li>
                     Pages 111 to 125| Historical hyperbole: History mobilized in the debate on nuclear
weapons in Texas during the 1980s
                                            |  Lucie Genay
                                    </li>
                            <li>
                     Pages 126 to 128| Denijal Jegić
                                            |  Rédouane Abouddahab
                                    </li>
                            <li>
                     Pages 129 to 131| Noëlle Cuny and Xavier Kalck (eds.)
                                            |  Charlotte Estrade
                                    </li>
                            <li>
                     Pages 131 to 133| William Sites
                                            |  Frédéric Trottier-Pistien
                                    </li>
                            <li>
                     Pages 133 to 136| Hervé Mayer and David Roche (eds).
                                            |  Lara Cox
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_172</id>
    <title type="html"><![CDATA[
        Post-America
                    | Revue française d’études américaines
            (2022/3 N° 172)
            ]]></title>
        <link href="https://shs.cairn.info/revue-revue-francaise-detudes-americaines-2022-3?lang=en" type="text/html" rel="alternate" />
            <published>2022-09-06T00:00:00+02:00</published>
                <updated>2022-09-06T00:00:00+02:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 20| Incursions in Post-America
                                            |  Michel Feith
                                    </li>
                            <li>
                     Pages 21 to 35| <i>Holland Dames</i>: Women's Place in Shaping Dutch Origins in
Nineteenth-Century New York
                                            |  Virginie Adane
                                    </li>
                            <li>
                     Pages 36 to 49| Alexis de Tocqueville in the “desert”: the fruitless pursuit of the
“authentic” Indian in Jacksonian America
                                            |  Augustin Habran
                                    </li>
                            <li>
                     Pages 50 to 63| <i>An independent state encircled in the American Union.</i>
Ambition et ambiguïté du Kentucky post-révolutionnaire
                                            |  Juliette Tran
                                    </li>
                            <li>
                     Pages 64 to 77| (Re)embodying the suffering of others: the intermedial circulation
of the shocking image <i>The Scourged Back</i>, from photography to
the podcast <i>S-Town</i>
                                            |  Ella Waldmann
                                    </li>
                            <li>
                     Pages 78 to 92| Postfeminism and the neoliberal depoliticization of identity: from
collective feminism to the celebration of individualism?
                                            |  Claire Delahaye
                                    </li>
                            <li>
                     Pages 93 to 107| Materiality Without Matter in <i>The Wings of the Dove</i>
                                            |  Richard Anker
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_171</id>
    <title type="html"><![CDATA[
        Undoing Naked Truths: Nudity on Stage
                    | Revue française d’études américaines
            (2022/2 No 171)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2022-2?lang=en" type="text/html" rel="alternate" />
            <published>2022-06-01T00:00:00+02:00</published>
                <updated>2022-06-28T00:00:00+02:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 10| Nakedness: the Empty Signifier of Contemporary Bodies
in&#160;Performance?
                                            |  Émeline Jouve,  Xavier Lemoine
                                    </li>
                            <li>
                     Pages 11 to 24| Beyond Sex: Expanding Uses of&#160;Nudity in Twenty-First Century
American Theatre
                                            |  Marjorie Heins
                                    </li>
                            <li>
                     Pages 25 to 39| “Disclosing Burlesque: On the Possibilities of Satire and&#160;the
(Fe)Male Gaze in <i>Chicago</i> (1926, 1975, 2002)”
                                            |  Noelia Hernando-Real
                                    </li>
                            <li>
                     Pages 40 to 56| Nude Descending a Staircase at&#160;the National Endowment
for&#160;the Arts: A Legal Anatomy of&#160;Karen Finley’s
Constitutional Challenge
                                            |  Michael Angelo Tata
                                    </li>
                            <li>
                     Pages 57 to 66| “On Performing Burlesque and&#160;Nakedness”: An Interview with
Lefty Lucy, New York City, April 30th, 2021
                                            |  Annette J. Saddik
                                    </li>
                            <li>
                     Pages 67 to 79| Bare Broadway Bodies: How Nudity Brought the Gay Community and
Broadway Cheek to Cheek
                                            |  Laura Macdonald
                                    </li>
                            <li>
                     Pages 80 to 91| “Showing Her Ass Off in Her Iron Cage”: <i>Dis(-re-)membering</i>
the&#160;Black Female Body in Suzan-Lori Parks’s <i>Venus</i>
                                            |  Raphaëlle Tchamitchian
                                    </li>
                            <li>
                     Pages 92 to 104| Nudity in Digital Performance: Reappraising the Early Online Works
of Annie Sprinkle and&#160;Frank Moore
                                            |  Toni Sant
                                    </li>
                            <li>
                     Pages 105 to 116| <i>Untitled Feminist Show</i>: Nudity as Fluidity
                                            |  Julie Vatain-Corfdir
                                    </li>
                            <li>
                     Pages 117 to 119| Mathilde Arrivé
                                            |  Jean-Marc Serme
                                    </li>
                            <li>
                     Pages 119 to 121| Hélène Quanquin
                                            |  Michaël Roy
                                    </li>
                            <li>
                     Pages 121 to 123| Xavier Kalck
                                            |  Chloé Thomas
                                    </li>
                            <li>
                     Pages 123 to 124| Chloé Thomas
                                            |  Candice Lemaire
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_170</id>
    <title type="html"><![CDATA[
        Home and Homeland in Contemporary Arab American Literatures
                    | Revue française d’études américaines
            (2022/1 N° 170)
            ]]></title>
        <link href="https://shs.cairn.info/revue-revue-francaise-d-etudes-americaines-2022-1?lang=en" type="text/html" rel="alternate" />
            <published>2022-03-08T00:00:00+01:00</published>
                <updated>2022-04-25T00:00:00+02:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 10| Home and Homeland in Contemporary Arab American Literatures
                                            |  Karim Daanoune
                                    </li>
                            <li>
                     Pages 11 to 24| Code-Switching, Homeness, and Identitarian Conflict in Rayyan
Al-Shawaf’s <i>When All Else Fails</i>
                                            |  Syrine Hout
                                    </li>
                            <li>
                     Pages 25 to 37| Arab American Identity in Mohja Kahf’s <i>The Girl in the Tangerine
Scarf</i>
                                            |  Jumana Bayeh
                                    </li>
                            <li>
                     Pages 38 to 50| Photography and the Remapping of Home in Contemporary Arab American
Literature
                                            |  Sara Arami
                                    </li>
                            <li>
                     Pages 51 to 63| From the Citadel: “I must have been an Arab once…”
                                            |  Ammiel Alcalay
                                    </li>
                            <li>
                     Pages 64 to 68| Four Poems
                                            |  Philip Metres
                                    </li>
                            <li>
                     Pages 69 to 82| Recreating Palestine: Arab American Drama and Transnational Exilic
Loss
                                            |  Michael Malek Najjar
                                    </li>
                            <li>
                     Pages 83 to 96| The Life of “Words Under the Words.” The Father Figure, Mourning,
and the Music of Desire in Naomi Shihab Nye’s “Brushing Lives”
                                            |  Rédouane Abouddahab
                                    </li>
                            <li>
                     Pages 97 to 109| Unmooring the Home in Alia Yunis’s <i>The Night Counter</i>
                                            |  Françoise Král
                                    </li>
                            <li>
                     Pages 110 to 123| Towards an Affirmative Bioethics: An Interview with Martin
Halliwell
                                            |  Yohann Lucas
                                    </li>
                            <li>
                     Pages 124 to 136| Towards an Affirmative Bioethics: An Interview with Martin
Halliwell
                                            |  Nicholas Manning
                                    </li>
                            <li>
                     Pages 137 to 140| Marc Midan
                                            |  Mark Niemeyer
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_169</id>
    <title type="html"><![CDATA[
        Sovereignty/Sovereignties in&#160;the&#160;United States:
Concepts&#160;and&#160;Challenges
                    | Revue française d’études américaines
            (2021/4 N° 169)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2021-4?lang=en" type="text/html" rel="alternate" />
            <published>2021-10-26T00:00:00+02:00</published>
                <updated>2021-11-18T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 8| Sovereignty/Sovereignties in&#160;the&#160;United States:
Concepts&#160;and&#160;Challenges
                                            |  Nathalie Massip
                                    </li>
                            <li>
                     Pages 9 to 22| Sovereign Immunity in&#160;the&#160;United States: A Legal and
Political Perspective
                                            |  Nicolas Gachon
                                    </li>
                            <li>
                     Pages 23 to 35| Tribal Sovereignty and Education in the United States: A Political
and Cultural Struggle for Preservation
                                            |  Claire Anchordoqui
                                    </li>
                            <li>
                     Pages 36 to 50| Indigenous Cinemas: Toward a More "Fluid and Diverse"
Interpretation of Visual Sovereignty in the United States
                                            |  Sophie Gergaud
                                    </li>
                            <li>
                     Pages 51 to 68| From the Crown of Tannassy to the State of Sequoyah: a History of
Cherokee Sovereignty
                                            |  Lionel Larré
                                    </li>
                            <li>
                     Pages 69 to 83| In the Name of Sovereignty: the Temptation to Withdraw?
                                            |  Isabelle Vagnoux
                                    </li>
                            <li>
                     Pages 84 to 94| Religious Shadows and Mystery: Rereading Hermeneutics in Edgar
Allan Poe's "Murders in the Rue Morgue"
                                            |  Marc Vervel
                                    </li>
                            <li>
                     Pages 95 to 111| <i>Les voyages africains de Sim (Copans) ou l’homme qui revenait du
chaud (1963-1975)</i>
                                            |  Jean Copans
                                    </li>
                            <li>
                     Pages 112 to 114| Philipp Löffler (ed.)
                                            |  Nicoleta Alexoae-Zagni
                                    </li>
                            <li>
                     Pages 114 to 117| Marie-Christin Sawires-Masseli
                                            |  Karim Daanoune
                                    </li>
                            <li>
                     Pages 117 to 120| Antoine Traisnel
                                            |  Michel Feith
                                    </li>
                            <li>
                     Pages 121 to 123| Florian Tréguer
                                            |  Jean-François Chassay
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_168</id>
    <title type="html"><![CDATA[
        Tourist Imaginaries and Practices: Issues in Identity and Memory
                    | Revue française d’études américaines
            (2021/3 N° 168)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2021-3?lang=en" type="text/html" rel="alternate" />
            <published>2021-09-27T00:00:00+02:00</published>
                <updated>2021-11-15T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 9| Tourist Imaginaries and Practices: Issues in Identity and Memory
                                            |  Sophie Croisy,  Sandrine Ferré-Rode,  Frédéric Leriche,  Dalila Messaoudi
                                    </li>
                            <li>
                     Pages 10 to 29| The American Frontier, Masculine Nationalism and Touristic
Imaginaries: Sight-Marking Literature on&#160;Daniel Boone in the
Long Nineteenth-Century
                                            |  Nilak Datta
                                    </li>
                            <li>
                     Pages 30 to 46| Slavery and Memorial Tourism in New York: Learning Experience or
Quest for Identity?
                                            |  Anne-Claire Faucquez
                                    </li>
                            <li>
                     Pages 47 to 63| Memorial Tourism in Florida: the Fort Caroline and De Soto National
Memorials, Between Touristic Development and Memorial Disputes
                                            |  Florence Gasparini-Laratte
                                    </li>
                            <li>
                     Pages 64 to 75| Southern Comfort: The Slow Rise of New Orleans’ Jazz Tourism
                                            |  Sally McKee
                                    </li>
                            <li>
                     Pages 76 to 96| Mapping the Memory and the Memorialization of the Vietnam War at
the Wall
                                            |  Alexandra Boudet-Brugal
                                    </li>
                            <li>
                     Pages 97 to 106| Transferential Moments: an Interview with Adam Frank
                                            |  Nicholas Manning
                                    </li>
                            <li>
                     Pages 107 to 108| Gilles Havard
                                            |  Catherine Bécasse
                                    </li>
                            <li>
                     Pages 108 to 110| Nicolas Martin-Breteau
                                            |  Peter Marquis
                                    </li>
                            <li>
                     Pages 110 to 112| Jacques-Henri Coste et Vincent Dussol (dir.)
                                            |  Martine Azuelos
                                    </li>
                            <li>
                     Pages 113 to 115| Elsa Devienne
                                            |  Marine Dassé
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_167</id>
    <title type="html"><![CDATA[
        American Pleasures (19th c.)
                    | Revue française d’études américaines
            (2021/2 N° 167)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2021-2?lang=en" type="text/html" rel="alternate" />
            <published>2021-06-08T00:00:00+02:00</published>
                <updated>2021-07-02T00:00:00+02:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 13| What’s Your Pleasure?
                                            |  Édouard Marsoin
                                    </li>
                            <li>
                     Pages 14 to 29| What Are the Pleasures of a Slave? The Politics of Affect in
Antebellum US Slave Narratives
                                            |  Édouard Marsoin
                                    </li>
                            <li>
                     Pages 30 to 42| “The Book is Still the Highest Delight”: Emerson, Interaction, and
Pleasure
                                            |  Yves Gardes
                                    </li>
                            <li>
                     Pages 43 to 56| The (Dis)pleasures of Form Faced with Life: Melville and
Greco-Roman Stones
                                            |  Ronan Ludot-Vlasak
                                    </li>
                            <li>
                     Pages 57 to 70| Elizabeth Stoddard’s Depravity
                                            |  Christopher Looby
                                    </li>
                            <li>
                     Pages 71 to 84| The Pleasures of a Saint, the&#160;Pleasures of a Plant: William
James, Walt Whitman, and the Varieties of Hedonic Experience
                                            |  Michael Jonik
                                    </li>
                            <li>
                     Pages 85 to 98| Marginal Pleasures and the Curve of Indifference: The Value of
Pleasure in Late Henry James
                                            |  Geoff Gilbert
                                    </li>
                            <li>
                     Pages 99 to 104| Afterword: The Pleasures of&#160;Literature
                                            |  Thomas Constantinesco
                                    </li>
                            <li>
                     Pages 105 to 117| Narrative Identity and Counterfactual Narrative in Paul Auster’s
<i>The Invention of Solitude</i> and <i>4321</i>
                                            |  Michaël Bigay
                                    </li>
                            <li>
                     Pages 118 to 141| Between the Need to “revolt” and The Need to “belong”:
Yank&#160;and the “damned capitalist clarss” in Eugene O’Neill’s
<i>The&#160;Hairy Ape</i>
                                            |  Mohamed Nejib Hizi
                                    </li>
                            <li>
                     Pages 142 to 143| Stephanie E. Jones-Rogers
                                            |  Hélène Quanquin
                                    </li>
                            <li>
                     Pages 143 to 146| Jutta Ernst, Sabina Matter-Seibel, Klaus H. Schmidt, eds.
                                            |  Guillaume Tanguy
                                    </li>
                            <li>
                     Pages 146 to 148| Stefanie Weymann-Teschke
                                            |  François Hugonnier
                                    </li>
                            <li>
                     Pages 148 to 152| Derek C. Maus
                                            |  Michel Feith
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_166</id>
    <title type="html"><![CDATA[
        Speaking of Philip Roth
                    | Revue française d’études américaines
            (2021/1 N° 166)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2021-1?lang=en" type="text/html" rel="alternate" />
            <published>2021-04-26T00:00:00+02:00</published>
                <updated>2021-05-20T00:00:00+02:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 7| Speaking of Philip Roth
                                            |  Paule Lévy
                                    </li>
                            <li>
                     Pages 8 to 20| Sickbed Reading: Intertextual Echoes in <i>The Anatomy Lesson</i>
by Philip Roth (1983)
                                            |  Aurélie Guillain
                                    </li>
                            <li>
                     Pages 21 to 32| “He could not fucking die”: Tie-game in Philip Roth’s <i>Sabbath’s
Theater</i>
                                            |  Marc Amfreville
                                    </li>
                            <li>
                     Pages 33 to 45| The Passion for Secrecy in <i>The Human Stain</i> by Philip Roth
                                            |  Isabelle Alfandary
                                    </li>
                            <li>
                     Pages 46 to 61| A Bit of Jewish-American Mischief: Fictional Metabiography in Alan
Lelchuk’s <i>Ziff: A Life?</i> and Philip Roth’s <i>Exit Ghost</i>
                                            |  David Brauner
                                    </li>
                            <li>
                     Pages 62 to 74| Reinventing Philip Roth in the Fiction of Others
                                            |  Victoria Aarons
                                    </li>
                            <li>
                     Pages 75 to 91| Representing “Roth”
                                            |  Debra Shostak
                                    </li>
                            <li>
                     Pages 92 to 113| Walter Benjamin in New York. American Transpositions of <i>The
Arcades Project</i>
                                            |  Monica Manolescu
                                    </li>
                            <li>
                     Pages 114 to 136| School Segregation Beyond “White Flight”: the Example of a Rural
County in North Carolina (1967-1989)
                                            |  Esther Cyna
                                    </li>
                            <li>
                     Pages 137 to 144| Reviews
                                    </li>
                    </ul>
    ]]></content>
</entry>
            <entry>
    <id>tag:cairn.info,2005:numero:E_RFEA_163</id>
    <title type="html"><![CDATA[
        The art of failure
                    | Revue française d’études américaines
            (2020/2 No 163)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2020-2?lang=en" type="text/html" rel="alternate" />
            <published>2020-06-05T00:00:00+02:00</published>
                <updated>2020-06-22T00:00:00+02:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 30| The art of failure: Historical reference points and critical issues
                                            |  Pierre-Antoine Pellerin
                                    </li>
                            <li>
                     Pages 31 to 45| <i>The Pat Hobby Stories</i>: F. Scott Fitzgerald or “the vocation
of failure”
                                            |  Marie-Agnès Gay
                                    </li>
                            <li>
                     Pages 46 to 58| Chris Kraus’ auto-fictional strategies of failure
                                            |  Antonia Rigaud
                                    </li>
                            <li>
                     Pages 59 to 71| Little failure, great success: The&#160;writer’s memoir as a
fail-safe genre
                                            |  Sophie Chapuis
                                    </li>
                            <li>
                     Pages 72 to 83| Failing Private Till: John Edgar Wideman’s <i>Writing to&#160;Save
a Life: The Louis Till File</i>
                                            |  Flora Valadié
                                    </li>
                            <li>
                     Pages 84 to 97| Gaia is no loser: Planetarity beyond competition in Ursula
Le&#160;Guin’s <i>Vaster Than Empires and More Slow</i>
                                            |  Pierre-Louis Patoine
                                    </li>
                            <li>
                     Pages 98 to 113| “All equal, far reaches, no&#160;bounds”: Exploring and redefining
the American space through Gary Snyder’s wild ecopoetry
                                            |  Pauline Boisgerault
                                    </li>
                            <li>
                     Pages 114 to 126| Leslie Marmon Silko’s tribal internationalist perspectives on world
order in <i>Almanac Of The Dead</i>: Remapping culture and history
beyond national borders
                                            |  Sophie Croisy
                                    </li>
                            <li>
                     Pages 127 to 134| Reviews
                                    </li>
                    </ul>
    ]]></content>
</entry>
    </feed>
