Littérature | Cairn.infohttps://shs.cairn.info/build/assets/cairn-B7RWiji2.pngtag:cairn.info,2005:rss/revue/E_LITTCairn.info 20262025-09-25T00:00:00+02:00tag:cairn.info,2005:numero:E_LITT_219<![CDATA[
Writing, prescribing: the invention of the female body
| Littérature
(2025/3 n° 219)
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Pages 1 to 3| Opening pages
Pages 4 to 11| Introduction. Taking shape, building a corpus: towards a medical
history of the female body?
| Jean-Christophe Abramovici, Marion Bonneau, Carla Robison
Pages 12 to 24| Was Hippocrates the first gynaecologist in western history? The
polyphony of Hippocratic discourse on women’s health care
| Marion Bonneau
Pages 25 to 38| Making women fast in order to bear children in ancient Greece: from
religion to Hippocratic medicine, by way of literature
| Paul Demont
Pages 39 to 48| A gendered pathology in 16th century medical discourse: ‘secrets’
divulged?
| Évelyne Berriot-Salvadore
Pages 49 to 62| Leonora Dori Galigaï and the doctors: the patriarchal monarchy and
the immunity model in 1617
| Sacha Grangean
Pages 63 to 77| Excluded: the surgeon, the midwife and vaginal examinations
| Jean-Christophe Abramovici
Pages 78 to 88| Womanhood as an ailment: medicine, literature and ideology
(1850-1900)
| Bertrand Marquer
Pages 89 to 105| The doctor and the abortionist: gendered imaginaries of health care
and power struggles in the times of clandestine abortions
| Carla Robison
Pages 106 to 117| What can literature do for medicine?
| Martin Winckler, Carla Robison
Pages 118 to 131| Male desire from the perspective of the rival: is the Chevalier de
Guise the eternal lover in The Princess of Cleves?
| Lin Te-Yu
Pages 132 to 134| Patrick Chamoiseau. Que peut Littérature quand elle ne
peut?. Paris, Seuil, 2025.
| Marie Cazaban-Mazerolles
Pages 135 to 138| Florent Coste. L’ordinaire de la littérature. Que peut
(encore) la théorie littéraire ?. Paris, Éditions La
Fabrique, 2024, 192 pages.
| Andrei Minzetanu
Pages 15 to 33| OuRIMu: Reflexive Opener of Multidimensional Investigations
| Camille Noûs
Pages 34 to 40| In search: towards an unstrenuous creative criticism
| Myriam Suchet
Pages 41 to 55| Critical creation as a literary Bug
| Lionel Ruffel
Pages 56 to 67| Crash test: prototype, test, collision. A conversation between
Olivia Rosenthal and Boris Le Roy
| Olivia Rosenthal, Boris Le Roy
Pages 68 to 82| “Creative propulsion”: a theoretical model to explore critical
creation
| Sarah Delale
Pages 83 to 93| How to translate outside the box: the case for interventionist
translation
| Pierre Bayard
Pages 94 to 121| Crisis meeting. Transcript
| Axelle Delagorce, Svitlana Kovalova, Elvina Le Poul, Gabriele Stera, Laurane Travagli-Chanal
Pages 122 to 134| The Grey Zones. The narrative of an investigation
| Alexandra Saemmer
Pages 135 to 145| The B233 reading room: a stroll around an introduction to
critical creation
| Salomé Fauvinet, Éléonore Gaudry, Marion Oliveira
Pages 146 to 160| Writing in resonance with a work. A creative approach that is both
research and reception
| Julie Peghini, Adrien Péquignot, Bérengère Voisin
Pages 161 to 180| A look back at Transitions, a journey in criticism: collective
creativity and a commemorative book
| Jérôme David, Hélène Merlin-Kajman
Pages 175 to 186| Closing pages
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Philippe Denis (1947-2021), at the heart of an absence
| Littérature
(2025/1 n° 217)
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Pages 1 to 4| Opening pages
Pages 5 to 10| Introduction: the maintainer
| Alain Mascarou, Fabrice Schurmans
Pages 11 to 20| Philippe Denis: a certain wisdom
| Alain Mascarou
Pages 21 to 36| Between I, nature and poetry: circulation of texts and meanings in
the fragments of Philippe Denis
| Fabrice Schurmans
Pages 37 to 46| To write / Not to write
| François Lallier
Pages 47 to 57| Philippe Denis: “muted aphorism”
| Laure Sauvage
Pages 58 to 68| “Walking a tightrope on the page”: how to weave the denisian lines
between two languages
| Philippe Chéron
Pages 69 to 76| The stranger in poetry
| Jean-Charles Vegliante
Pages 77 to 82| Unpublished autobiographical fragment
| Philippe Denis
Pages 83 to 99| On Séraphîta: the dreams of a visionary (Balzac?) explained by the
dreams of met-aphysics (Kant?)
| André Stanguennec
Pages 100 to 115| The theater of the hocquardian poem
| Nicolas Servissolle
Pages 116 to 119| Rachel Bouvet, Stéphanie Posthumus, Jean-Pascal Bilodeau and Noémie
Dubé. Entre les feuilles. Explorations de l’imaginaire botanique
contemporain. Québec, Presses de l’Université du Québec,
“Approches de l’imaginaire”, 2024, 332 pages.
| Yves Clavaron
Pages 119 to 121| Keti Irubetagoyena and Marc Olivier Baruch. Quand
l’administration française était antisémite. Le statut des Juifs,
de l’archive au théâtre. Saint-Pourçain-sur-Sioule, Bleu
autour, “Grands essais”, 2024, 136 pages
| Adrien Chassain
Pages 5 to 7| Editorial
| Marie Cazaban-Mazerolles
Pages 8 to 14| Foreword
| Isabelle Poulin
Pages 15 to 26| To translate or not to translate: editorial practices and cultural
choices in the field of ecology in France
| Anne-Rachel Hermetet
Pages 27 to 40| Towards a hermeneutic expansion. Decolonizing signs in order to
translate “nature”
| Bertrand Guest
Pages 41 to 54| Sustainable translation
| Tiphaine Samoyault
Pages 55 to 67| La Terre, le Feu, l’Eau et les Vents. Une anthologie de la poésie
du Tout-monde. Translation, ecology or “the echoes of multiplicity”
| Sara Aggazio
Pages 68 to 84| Translating Susana Thénon, an ecology of the breath
| Blanche Turck
Pages 85 to 98| Translation, or being devoured by a jaguar
| Émilie Audigier
Pages 99 to 114| “Postulating links rather than objects.” Some thoughts from a
translator
| Bernard Banoun
Pages 7 to 9| Presentation. Current issues about anachronism
| Pierre-Antoine Fabre, Jacques Neefs
Pages 10 to 23| On the edge of anachronism
| Jean-Michel Rey
Pages 24 to 35| Afterwardness and survivance: a founding anachronism
| Pierre-Antoine Fabre
Pages 36 to 43| Anachronisms of mysticism
| Jacques Le Brun
Pages 44 to 58| Anachronirism
| Florence Dumora
Pages 59 to 75| Campion as a Chénier’s reader?
| Hélène Merlin-Kajman
Pages 76 to 88| Books in the present tense. Judith Schlanger the reader
| Jacques Neefs
Pages 89 to 100| The Forerunner
| Judith Schlanger
Pages 101 to 116| Disowning the origin? The interrupted genealogy in Igitur
| Massimo Blanco
Pages 117 to 127| The variegated Minotaur: an ancient monster seen through the prism
of postmodern fantasy
| Eugenia Grammatikopoulou
Pages 128 to 147| The imaginary interview: a literary genre
| Guido Mattia Gallerani
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The text’s inconscious work. Tribute to Jean-Bellemin Noël
| Littérature
(2024/2 No 214)
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Pages 6 to 10| Foreword: The text’s inconscious work
| Pierre Bayard, François Migeot
Pages 11 to 27| Jean Bellemin-Noël: Theory Listens to Literature
| Alain Trouvé
Pages 28 to 37| Did Athalie have an unconscious?
| Pierre Bayard
Pages 38 to 50| Brulard’s Complex and its Evolution
| Ye Young Chung
Pages 51 to 65| La Jalousie: A Freudian Theatre. Textoanalysis Backstage
| François Migeot
Pages 66 to 77| Listening under the guise of voyeurism. Alain Robbe-Grillet’s Le
Voyeur
| Ae-Young Choe
Pages 78 to 90| La Réticence as a Metaphor for Literary Writing
| Edina Zvrko
Pages 91 to 99| Jealousy Through the Lens of Literature
| Jean-Michel Delacomptée
Pages 100 to 116| The Inner Companion
| Monic Robillard
Pages 117 to 124| Returning from a journey: ‘L’Étranger’ by Baudelaire
| François-Marie Mourad
Pages 125 to 131| Phillip John Usher. Ex Terra. Vivre avec les sous-sols.
Saint-Denis, Presses Universitaires de Vincennes, transl. by Cyril
Le Roy and foreword by Frédérique Aït-Touati, 2024.
| Marie Cazaban-Mazerolles
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Philosophizing with French Romanticism
| Littérature
(2024/1 No 213)
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Pages 5 to 14| Introduction: Romanticism and Stereotypes
| Martin Mees
Pages 15 to 27| Romanticism’s “Balderdash” and its “Ways of Thinking”
| Florence Schnebelen
Pages 28 to 41| On Ideas in Literature: The Case of Senancour
| Yvon Le Scanff
Pages 42 to 56| Balzac, or a Thinking of Totality
| Éric Bordas
Pages 57 to 70| The Romantics’ Pharmacy
| Victoire Feuillebois
Pages 71 to 84| The Poetry and Thinking of the Unconscious. Baudelaire and Nerval
| Bertrand Marchal
Pages 85 to 96| Les Illuminés by Nerval as a depiction of a Critical Romanticism
| Martin Mees
Pages 97 to 109| Beyond Socially Committed Art? Renouvier and Guyau Interpret and
Critique Victor Hugo
| Stéphane Haber
Pages 110 to 115| Géricault. The Truth of Romanticism
| Jérôme Thélot
Pages 116 to 121| Laurence Dahan-Gaida. L’Art du diagramme. Paris, Presses
universitaires de Vincennes, “L’Imaginaire du Texte”, 2023
| Adrien Chassain
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Péguy as a writer
| Littérature
(2023/4 No 212)
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Pages 5 to 10| Introduction: Péguy as a creator of forms
| Pauline Bruley, Denis Labouret
Pages 11 to 22| Péguy as a polemicist and the notion of “œuvre”
| Céline Barral
Pages 23 to 32| Péguy and improvisation
| Pauline Bruley
Pages 33 to 44| The “salutary school of translation”
| Denis Labouret
Pages 45 to 58| The “time of testimonies”: Péguy at the crystallization point
| Jean-Louis Jeannelle
Pages 59 to 68| Péguy moderniste: the avant-gardism of an anti-modernist
| Alexandre de Vitry
Pages 69 to 77| Péguy and the water lilies
| Christelle Reggiani
Pages 78 to 89| The incompletness of Péguy’s Dialogues de l’histoire
| Romain Vaissermann
Pages 90 to 100| “On the road.” Reflections on a chronotope by Péguy
| Bernard Gendrel
Pages 101 to 115| Paul Valet, the inconceivable poetry
| Michel Hastings
Pages 116 to 119| Yves Clavaron, Éc(h)ographies d’une terre déréglée. Petit
traité d’écocritique, Paris, Éditions Kimé, 2023,
258 pages
| Marie Cazaban-Mazerolles
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Rhetoric
| Littérature
(2023/3 No 211)
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Pages 5 to 7| Editorial
| Adrien Chassain
Pages 8 to 18| Presentation
| Francis Goyet, Christine Noille
Pages 19 to 26| Praise (eulogia), beauty and “continuous speech” in
Isocrates’ Encomium of Helen
| Marie-Pierre Noël
Pages 27 to 43| Latin rhetoric or Roman rhetoric? From theory to the culture of
discourse in classical Rome
| Charles Guérin
Pages 44 to 55| The orators’ age. The rhetorical turn of literature in French
around 1400
| Estelle Doudet
Pages 56 to 71| About persuasion in poetry: Horace in the sixteenth century
| Francis Goyet
Pages 72 to 86| Rhetoric as a meeting point of human and social sciences: the genre
of funeral orations
| Anne Régent Susini
Pages 87 to 99| Between standardization and variation: professions of gratitude in
Mme de Sévigné’s letters
| Cécile Lignereux
Pages 100 to 112| Rhetoric in Revolution, literature in evolution
| Hélène Parent
Pages 113 to 124| Rhetoric and literature: differentiations and recompositions in the
prose of André Suarès (1880-1910)
| Pauline Bruley
Pages 125 to 136| The two eloquences of French contemporary literature
| Christelle Reggiani
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Victor Segalen
| Littérature
(2023/2 No 210)
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Pages 5 to 7| Editorial
| Martin Mégevand
Pages 8 to 9| Introduction
| Adrien Cavallaro, Christian Doumet
Pages 10 to 33| Segalen, the honest translator
| Adrien Cavallaro
Pages 34 to 47| In the crucible of Victor Segalen’s Imaginaires
| Antoine Piantoni
Pages 48 to 58| René Leys, the art of the false
| Sophie Labatut
Pages 59 to 75| Thinking about the novel in René Leys
| Philippe Postel
Pages 76 to 85| “True Exotes” vs. “false Explorers”: Individuality, irony and
self-irony in René Leys and in the Essay on Exoticism
| Valérie Bucheli
Pages 86 to 96| Migratory supplements
| Jean-Luc Steinmetz
Pages 97 to 113| Segalen and nature. Behind the landscape, the “inebriated stirrings
of the great river Diversity”
| Noël Cordonier
Pages 114 to 122| An approach to the word “site”
| Christian Doumet
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Rereading Claude Duchet
| Littérature
(2023/1 No 209)
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Pages 5 to 6| Editorial. Jean-Claude Coquet
| Jean-Claude Mathieu
Pages 7 to 15| Introduction. Rereading Claude Duchet. Fifty years of
sociocriticism
| Bernabé Wesley
Pages 16 to 24| 1970-1971: The rise of “sociocriticism”
| Florence de Chalonge
Pages 25 to 38| Sociocriticism and sociogenetics
| Anne Herschberg Pierrot
Pages 39 to 48| Cromwell, Gustave Lanson and Claude Duchet
| Pierre Laforgue
Pages 49 to 57| Claude Duchet or, The amplified reading
| Jacques Neefs
Pages 58 to 68| The ideological language of objects. The making of the dominant
morality in the realist novel
| Joséphine Vodoz
Pages 69 to 88| Sociogram and obliviogram: prolonging Claude Duchet’s reflection on
the historicity of the novel
| Bernabé Wesley
Pages 89 to 101| Recurrences of Baudelaire
| Éric Trudel
Pages 102 to 116| Roger Caillois: the mouths of entropy and the ocelli bearer
| Sacha Tremblay
Pages 117 to 119| Pauline Hachette, Sous le signe de la colère. Henri Michaux,
Louis-Ferdinand Céline, Paris, Garnier 2022
| Martine Créac’h
Pages 119 to 123| Xavier Garnier, Écopoétiques africaines. Une expérience
décoloniale des lieux, Paris, Karthala, 2022
| Chloé Chaudet
Pages 123 to 127| Laurence Daubercies, Devenir Voltaire. Du dramaturge au
personage, Presses Universitaires de Liège, collection
“Situations”, 2022, 262 pages
| Martin Mégevand
]]>tag:cairn.info,2005:numero:E_LITT_208<![CDATA[
Recomposed literary works
| Littérature
(2022/4 No 208)
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Pages 5 to 23| Introduction: the literary productivity of recomposition
| Rudolf Mahrer, Anne Réach-Ngô
Pages 24 to 38| Who composes? Some teachings from Seneca’s Œuvres morales et
mêlées “by” Simon Goulart
| Anne Réach-Ngô
Pages 39 to 52| What is a poetical “work” in the sixteenth century? The
bibliographers’ response
| Marine Parra
Pages 53 to 66| Epistolary reconfigurations: Editorial courses and literary
dynamics in Edme Boursault’s collections of letters (1669-1738)
| Magda Campanini
Pages 67 to 80| Vittorio Alfieri’s poems: From lyrical effusion to collection
| Monica Zanardo
Pages 81 to 95| “Collected for the first time”. Composing the works of
seventeenth-century poets after the Revolution
| Miriam Speyer
Pages 96 to 108| Opening up one’s impressions. Remodelling and editing in the
collections of articles in the nineteenth century. The case of
George Sand
| Nejma Omari
Pages 109 to 120| Some “obscure kaleidoscopes”. Collections of self: Cocteau,
Michaux, Salmon
| Émilien Sermier
Pages 121 to 134| From Le Monde réel to the Œuvres romanesques
croisées. The case of Aragon’s Aurélien
| Dominique Massonnaud
Pages 135 to 145| Between the work and its (dis)appearance: the poetics of attention
in Jørn H. Sværen
| Emmanuel Reymond
Pages 146 to 162| From the foliage of scriptural practices to transtextuality in
François Bon
| Fanny Siaugues
Pages 163 to 166| Madeleine de Scudéry, Histoire de deux caméléons, suivi de
Description anatomique d’un caméléon, de Claude Perrault
| Martin Mégevand
]]>tag:cairn.info,2005:numero:E_LITT_207<![CDATA[
Traces and omissions
| Littérature
(2022/3 No 207)
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Pages 5 to 18| Albert Cossery: An ethics of defection
| Michel Hastings
Pages 19 to 33| The French reception of Mendelsohn’s The Lost: The symptom
of an avoidance
| Yona Hanhart-Marmor
Pages 34 to 46| History, grey literature, literature: the leaflets of Lancelot
Voisin de La Popelinière and of Philippe Artières
| Adrien Chassain
Pages 47 to 63| Aesthetics and mysticism: Balzac’s Le Chef-d’œuvre inconnu
and Zola’s L’Œuvre
| Chia-Ping Kan
Pages 64 to 75| French melancholies. Memory, oblivion and repair in Supplément à
la vie de Barbara Loden and La Robe blanche by Nathalie
Léger
| Robert Dion
Pages 76 to 92| Photocartographic traces in Hélène Gaudy’s Un monde sans
rivage
| Manon Delcour
Pages 93 to 98| Photos taken in Svalbard during the preparation of Un monde sans
rivage
| Hélène Gaudy
Pages 99 to 101| Yves Clavaron, La Carte et le territoire colonial. 15 études sur
la poétique de l’espace colonial, Paris, Kimé, 2021,
325 pages.
| Martin Mégevand
]]>tag:cairn.info,2005:numero:E_LITT_206<![CDATA[
Annie Ernaux: a novelistic writing
| Littérature
(2022/2 No 206)
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Pages 5 to 6| Editorial. Jean-Bellemin-Noël
Pages 7 to 17| Annie Ernaux’s novelistic writing
| Florence de Chalonge, François Dussart
Pages 18 to 31| The “politics of literature” in Annie Ernaux: the case of the
ethnotexts
| Maryline Heck
Pages 32 to 44| The figure of Annie Ernaux: Who says “I” in Écrire la vie?
| François Dussart
Pages 45 to 57| The filmic romantic in A Girl’s Story
| Élise Hugueny-Léger
Pages 58 to 71| A “romantic” woman: the mother, the romantic in Écrire la
vie
| Aurélie Adler
Pages 72 to 78| On the romantic in The Years
| Bruno Blanckeman
Pages 79 to 90| The romantic and transpersonal writing in Annie Ernaux
| Morgane Kieffer
Pages 91 to 103| The Encounter, on a dissection table, of Anna Karenina and a pair
of Russian pants: Simple Passion and Se perdre
| Anne Wattel
Pages 104 to 117| Annie Ernaux or, the disenchantment of the world
| Yves Baudelle
Pages 118 to 133| Reading from a distance: the inner library and the arts of memory
| Aude Leblond
Pages 134 to 136| Claude Pérez, Paul Claudel: “Je suis le contradictoire”,
Paris, Cerf, 2021, 568 pages.
| Martin Mégevand
]]>tag:cairn.info,2005:numero:E_LITT_205<![CDATA[
Francophone literatures rising: the first novels
| Littérature
(2022/1 No 205)
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Pages 5 to 7| Editorial
| Martin Mégevand
Pages 8 to 14| Introduction: novels of the beginnings
| Lise Gauvin
Pages 15 to 26| Lettres neuchâteloises: Imaginary characters in the real
world
| Valérie Cossy
Pages 27 to 38| Arthur Martial’s Sphinx de bronze: a Mauritian “refutation”
of Jacques-Henri Bernardin de Saint-Pierre’s Paul et
Virginie
| Kumari R. Issur
Pages 39 to 48| L’Influence d’un livre or Charles the fatalist
| Lise Gauvin
Pages 49 to 59| Bergeaud’s Stella: A novel despite itself
| Yves Chemla
Pages 60 to 71| The Légende d’Ulenspiegel: novel or epic?
| Jean-Marie Klinkenberg
Pages 72 to 82| René Maran’s Batouala: beginning of misunderstandings and
misunderstandings of a beginning
| Anthony Mangeon
Pages 83 to 92| Emergence(s) of the novelistic genre in Acadia: Antoine-J. Léger’s
Elle et Lui (1940) and Antonine Maillet’s
Pointe-aux-Coques (1958)
| Pénélope Cormier, Catherine Leclerc
Pages 93 to 99| Joseph Zobel, originator of the country novel in Martinique
| Jean-Georges Chali
Pages 100 to 111| Nedjma, or the poetic origin of the “Algerian” national
novel
| Dominique Combe
Pages 112 to 121| L’Île des rêves écrasés, the first Tahitian novel
| Titaua Porcher
Pages 122 to 136| The obsession with falling in Maupassant
| Emma Burston
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Literature and surveillance: semiotic transversalities
| Littérature
(2021/4 No 204)
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Pages 5 to 6| Editorial. Henri Mitterand (1928-2021)
Pages 7 to 15| Introduction
| Denis Bertrand
Pages 16 to 28| Identifying and identifying oneself: surveillance between
transitivity and reflexivity
| Raphaël Horrein
Pages 29 to 45| As long as eyes will be
| Michel Costantini
Pages 46 to 55| Surveillance and thrill. Police and music in Alain Damasio’s The
Stealthies
| Jean-Paul Engélibert
Pages 56 to 67| A world of signs: the spy as a semiotician
| Juan Alonso Aldama
Pages 68 to 82| Dodging surveillance. Laziness as trangression
| Gianfranco Marrone
Pages 83 to 97| Video-game fiction and reality of mass surveillance. Orwell:
Keeping an eye on you
| Maude Bonenfant
Pages 114 to 123| Historic stylistics and the style of works. About Gilles Philippe:
Pourquoi le style change-t-il?
| Anne Herschberg Pierrot
Pages 124 to 139| Galatea blinding Pygmalion or, the failed word in Jules Laforgue
| Marc Eynard
Pages 140 to 153| Buzzings and stridencies in Pascal’s Thoughts
| Aline Gatier
Pages 154 to 156| Teppei Asama. Proust et les amateurs. Classiques Garnier,
2020, 389 pagees.
| Martin Mégevand
]]>tag:cairn.info,2005:numero:E_LITT_203<![CDATA[
Fiction in person
| Littérature
(2021/3 No 203)
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Pages 5 to 7| Introduction. Fiction in person
| Robert Dion
Pages 8 to 25| Person names, character names: narrative and emancipation
| Nathalie Piégay
Pages 26 to 37| Latest news from the exofictional. About Philippe Vasset’s
Journaux intimes
| Laurent Demanze
Pages 38 to 58| On real persons in autofiction
| Yves Baudelle
Pages 59 to 72| Of which knowledge on writing is biofiction the place? On
J. M. Coetzee’s The Master of Petersburg
| Robert Dion
Pages 73 to 87| Of biographical empathy. Real, fiction and imagination in the
writing of “insignificant lives”
| Frédéric Regard
Pages 88 to 103| “I run after a shadow”: in dread of the secondary character
| Andrée Mercier, Simon Pearson
Pages 104 to 117| How to read fictions narrating real persons’ lives? Situated
reading and “literary truth”
| Marie-Jeanne Zenetti
Pages 118 to 136| “Opening a box as one opens one’s mouth”: The IMEC free hand
exhibitions
| David Martens
Pages 137 to 143| The unexplained world
| Louis Kervegant
Pages 144 to 146| Valentin-Yves Mudimbe. L’Invention de l’Afrique (1988).
French trans. By Laurent Vannini, Paris, éd. Présence africaine,
2021
| Martin Mégevand
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Imposture of the novel
| Littérature
(2021/2 No 202)
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Pages 5 to 6| Foreword
| Martin Mégevand
Pages 7 to 11| Reading pacts, a fool’s game? When the novel becomes an imposture
| Caroline Julliot, Maxime Decout, Cassie Bérard
Pages 12 to 23| Unbelief and deception: Reflections upon Segalen, des Forêts and
Puech
| Dominique Rabaté
Pages 24 to 39| Upstream and downstream: which gaze upon the novel of Jordane?
| Jean-Benoît Puech
Pages 40 to 51| Deciphering, eluding: figures of imposture and interpretative
practices
| Estelle Mouton-Rovira
Pages 52 to 63| Fictions of storytelling
| Frank Wagner
Pages 64 to 71| Autobiographical fiction in Chloé Delaume: between biographical
imposture and novelistic posture
| Marie-Pier Lafontaine
Pages 72 to 82| Narrative postures and impostures in Ian McEwan’s Atonement
(2001)
| Jean-Pierre Naugrette
Pages 83 to 93| From sex to text, the gender imposture
| Gérald Larrieu
Pages 94 to 108| Song and literary commitment in Jean Genet’s Balcony
| Jean-Christophe Corrado
]]>tag:cairn.info,2005:numero:E_LITT_201<![CDATA[
Zones to tell about. For a transcultural ecopoetics
| Littérature
(2021/1 No 201)
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Pages 5 to 9| Littérature turns fifty
| Martin Mégevand
Pages 10 to 23| For a transcultural ecopoetics: introduction
| Collectif ZoneZadir
Pages 24 to 37| From the Commons to the Communal: which ecopoetics?
| Rémi Astruc, Émeline Baudet
Pages 38 to 65| Voices, oralities: towards a transcultural echopoetics
| Anne-Laure Bonvalot, Héloïse Brézillon, Inès Cazalas, Sylvie Decaux, Marie Lorin, Myriam Suchet
Pages 66 to 81| Decolonial ecopoetics
| Pierre Boizette, Xavier Garnier, Alice Lefilleul, Silvia Riva
Pages 82 to 98| Creole gardens, diasporas and witches: Readings into Caribbean
ecofeminism
| Natacha d’Orlando, Tina Harpin
Pages 99 to 127| For a multiscalar approach of devastated places: Landfill, island,
aridity line
| Chloé Chaudet, Claire Gallien, Lucie Taïeb
Pages 128 to 146| Ethical issues of ecopoetics. Collective readings of Pierre
Bergounioux, Édouard Glissant, Nancy Huston, Sony Labou Tansi and
Jules Verne
| Ninon Chavoz, Alice Desquilbet, Kevin Even, Charlotte Laure, Marie Vigy
Pages 147 to 163| For an activist literature. Contemporary perspectives (Emmanuelle
Pireyre, Antoine Boute, Philippe De Jonckheere)
| Corentin Lahouste
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Jean Paulhan: archives and literary history
| Littérature
(2020/4 No 200)
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Pages 5 to 10| First box
| Bernard Baillaud
Pages 11 to 21| Doubt and its opposite (a facsimile presented by Claire Paulhan)
| Jean Paulhan
Pages 22 to 36| Dadaism and surrealism in Paulhan: for an apprehension of literary
discourses and dynamics
| François Demont
Pages 37 to 52| Albert Thibaudet bathing in literary history
| Bernard Baillaud
Pages 53 to 63| Léon Bopp’s entreaties
| Michel Murat
Pages 64 to 76| The preface in Paulhan, the place of criticism?
| Camille Koskas
Pages 77 to 90| An history of the secret
| Clarisse Barthélemy
Pages 91 to 106| Paulhan et Lambrichs
| Arnaud Villanova
Pages 107 to 110| Jean Paulhan. Twenty years of publications (2000-2020)
| Bernard Baillaud
Pages 111 to 128| French Caribbean literatures and Negro Writings of the Terror
| Françoise Simasotchi-Bronès