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    <title>Literature (all) | Cairn.info</title>
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    <rights>Cairn.info 2026</rights>

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    <updated>2026-03-05T00:00:00+01:00</updated>

                            <entry>
    <id>tag:cairn.info,2005:numero:E_ETAN_784</id>
    <title type="html"><![CDATA[
        Special Issue: <i>Agrégation</i>
                    | Études anglaises
            (2025/4 Vol. 78)
            ]]></title>
        <link href="https://shs.cairn.info/journal-etudes-anglaises-2025-4?lang=en" type="text/html" rel="alternate" />
            <published>2026-02-13T00:00:00+01:00</published>
                <updated>2026-03-05T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 385 to 386| Opening Pages
                                    </li>
                            <li>
                     Pages 387 to 405| Tristram the Obscure
                                            |  Laurent Folliot
                                    </li>
                            <li>
                     Pages 406 to 422| Disability, Race, and Performance in <i>Adventures of Huckleberry
Finn</i>
                                            |  Thomas Constantinesco
                                    </li>
                            <li>
                     Pages 423 to 443| Kathleen Raine and the Tradition of Eden and Exile
                                            |  Claire Garnier-Tardieu
                                    </li>
                            <li>
                     Pages 444 to 460| “He too rose to his feet, feeling vulnerable squatting on the
floor”: Poetics and Politics of Vulnerability in Abdulrazak
Gurnah’s <i>Paradise</i> (1994)
                                            |  Cédric Courtois
                                    </li>
                            <li>
                     Pages 461 to 475| The Second Continental Congress: At the heart of the Revolution and
the path to independence (1775-1776)
                                            |  Bertrand Van Ruymbeke
                                    </li>
                            <li>
                     Pages 476 to 491| Political License in Hollywood (1933–1957): The Case of King Vidor
                                            |  Julie Assouly
                                    </li>
                            <li>
                     Pages 492 to 512| <i>The Life of St. Julian Hospitaller</i>, or The Story of a Holy
Sinner: The Hagiographic Romance of a Criminal Penitent
                                            |  Agnès Blandeau
                                    </li>
                            <li>
                     Pages 513 to 514| Notes on Contributors
                                    </li>
                            <li>
                     Pages 515 to 515| Acknowledgements to reviewers
                                    </li>
                            <li>
                     Pages 516 to 518| End Pages
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_RLC_395</id>
    <title type="html"><![CDATA[
        Varia
                    | Revue de littérature comparée
            (2025/3 nº 395)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-de-litterature-comparee-2025-3?lang=en" type="text/html" rel="alternate" />
            <published>2026-02-13T00:00:00+01:00</published>
                <updated>2026-03-04T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 257 to 258| Front matter
                                    </li>
                            <li>
                     Pages 259 to 261| Introduction
                                            |  Yinde Zhang
                                    </li>
                            <li>
                     Pages 262 to 272| Paul Valéry: the poetic invention of China
                                            |  Yvan Daniel
                                    </li>
                            <li>
                     Pages 273 to 282| Claude Simon in China, or the Experience of the Foreign
                                            |  Jufang Jin
                                    </li>
                            <li>
                     Pages 283 to 291| Literature’s in-common: Philippe Forest and China
                                            |  Yinde Zhang
                                    </li>
                            <li>
                     Pages 292 to 301| Francophones literatures of Africa in China: An emerging field of
studies
                                            |  Xiaoyi Yuan
                                    </li>
                            <li>
                     Pages 302 to 318| The textual metamorphosis of a Celtic woman: Ygerne
                                            |  Alex Delusier
                                    </li>
                            <li>
                     Pages 319 to 336| From the Neapolitan courtier to the gossip (“<i>chiaqlira</i>”) of
Bologna: When Basile’s Cunto de li cunti became the work of a woman
                                            |  Lilas Imbaud
                                    </li>
                            <li>
                     Pages 337 to 348| Euripides’ The Trojan Women, the Second World War and the “age of
victims”
                                            |  Bastien Fournier
                                    </li>
                            <li>
                     Pages 349 to 355| Nicolas Bourguinat and Nikol Dziub (eds.), <i>L’Amitié dans la
littérature de voyage. Usages et représentations
(XVIII<sup>e</sup>-XX<sup>e</sup> siècle)</i>, Strasbourg, Presses
universitaires de Strasbourg, coll. “Configurations littéraires”,
2024, 382 pages.
                                            |  Marie Mossé
                                    </li>
                            <li>
                     Pages 356 to 360| Marine Cellier, <i>Makandal en métamorphoses. Héroïsmes et identité
dans la littérature caribéenne</i>, Paris, Classiques Garnier,
2024, 685 pages.
                                            |  Daniel-Henri Pageaux
                                    </li>
                            <li>
                     Pages 360 to 365| Évanghélia Stead, <i>Goethe’s</i> Faust I <i>Outlined. Moritz
Retzsch’s Prints in Circulation</i>, Leiden, Boston, Brill,
“Library of the Written Word” n°&#160;113, “The Industrial World”
n°&#160;8, 2023, 450 pages.
                                            |  Anne-Isabelle François
                                    </li>
                            <li>
                     Pages 366 to 367| Aurélie Barjonet, Karl Ziegler (eds.), <i>Zola derrière le rideau
de fer,</i> Lille, Presses universitaires du Septentrion, 2022, 208
pages.
                                            |  Jean-Louis Backès
                                    </li>
                            <li>
                     Pages 367 to 370| Fátima Mendonça and José Manuel De Vasconcelos (coord.), <i>O
Neo-realismo e as literaturas africanas de língua portuguesa</i>,
Caderno Nova Síntese, Lisboa, ed. Colibri, 2024, 355 pages.
                                            |  Daniel-Henri Pageaux
                                    </li>
                            <li>
                     Pages 371 to 378| Florence Delay (1941-2025)
                                            |  Stéphane Michaud
                                    </li>
                            <li>
                     Pages 379 to 380| Teresa Rita Lopes (1937-2025)
                                            |  Daniel-Henri Pageaux
                                    </li>
                            <li>
                     Pages 381 to 384| Back matter
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_RLC_396</id>
    <title type="html"><![CDATA[
        “The quest for the combination of the beautiful and the eternal”:
Ivan Bunin, comparative views
                    | Revue de littérature comparée
            (2025/4 n° 396)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-de-litterature-comparee-2025-4?lang=en" type="text/html" rel="alternate" />
            <published>2026-02-14T00:00:00+01:00</published>
                <updated>2026-03-04T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 385 to 387| Front matter
                                    </li>
                            <li>
                     Pages 389 to 398| Bunin in Europe: A century of his presence
                                            |  Tatiana Victoroff
                                    </li>
                            <li>
                     Pages 399 to 408| Ivan Bunin, between the national and the universal: A Russian
classic in the European and global literary heritage
                                            |  Vadim Polonskiy
                                    </li>
                            <li>
                     Pages 409 to 418| Writing in the time of plague: Ivan Bunin’s <i>Dark Avenues</i> as
a “new Decameron”
                                            |  Leonid Livak
                                    </li>
                            <li>
                     Pages 419 to 428| Ivan Bunin and the European modernists: Marcel Proust and D. H.
Lawrence
                                            |  Anna Lushenkova Foscolo
                                    </li>
                            <li>
                     Pages 429 to 438| Lyrical prose and narrative lyrics: Ivan Bunin’s cycle <i>Bird’s
Shadow</i> and his oriental poetry
                                            |  Andrea Meyer-Fraatz
                                    </li>
                            <li>
                     Pages 439 to 445| Ivan Bunin as a Translator of Byron’s Mystery Plays
                                            |  Nadezhda Prozorova
                                    </li>
                            <li>
                     Pages 446 to 453| Ivan Bunin and the Parnassian poets: Translation and creation
                                            |  Tatiana Victoroff
                                    </li>
                            <li>
                     Pages 454 to 469| Bunin and His Lolita: Transpositions of Forbidden Love in Bunin and
Nabokov
                                            |  Maxim D. Shrayer
                                    </li>
                            <li>
                     Pages 470 to 475| The prose of Ivan Bunin: Problems of textual criticism and
commentary
                                            |  Sergey Morozov
                                    </li>
                            <li>
                     Pages 476 to 485| Ivan Bunin’s work and the screen arts: Explorations, discoveries,
and disappointments
                                            |  Anna Razina
                                    </li>
                            <li>
                     Pages 486 to 495| <i>Cursed Days</i> by Ivan Bunin, one hundred years later
                                            |  Tatiana Dvinyatina
                                    </li>
                            <li>
                     Pages 496 to 511| Appendices European reception and influence
                                    </li>
                            <li>
                     Pages 512 to 521| Back matter
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_ETAN_783</id>
    <title type="html"><![CDATA[
        The Early Critics of Modernism: A Matter of Style
                    | Études anglaises
            (2025/3 Vol. 78)
            ]]></title>
        <link href="https://shs.cairn.info/journal-etudes-anglaises-2025-3?lang=en" type="text/html" rel="alternate" />
            <published>2026-01-26T00:00:00+01:00</published>
                <updated>2026-03-02T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 257 to 258| Opening Pages
                                    </li>
                            <li>
                     Pages 259 to 268| The Early Critics of Modernism: A Matter of Style
                                            |  Chloé Thomas,  Charlotte Estrade
                                    </li>
                            <li>
                     Pages 269 to 279| Coping with Hugh Kenner’s Modernism: A Personal Recollection
                                            |  Jean-Michel Rabaté
                                    </li>
                            <li>
                     Pages 280 to 294| “The poem is not its language”: Deconstruction, New Historicism,
and Hugh Kenner
                                            |  Joseph Staten
                                    </li>
                            <li>
                     Pages 295 to 315| Modernist Poetry in the Hands of Spies: Poetic Secrecy and the
Secret Service
                                            |  Berengere Riou
                                    </li>
                            <li>
                     Pages 316 to 333| Continuous Commentary: E.R. Curtius and T.S. Eliot on Literary
Criticism
                                            |  Elisa Ronzheimer
                                    </li>
                            <li>
                     Pages 334 to 356| Intuitions: Hugh Kenner’s Repurposing of Buckminster Fuller’s
Poetics in Academic Writing
                                            |  Hélène Lesbros
                                    </li>
                            <li>
                     Pages 357 to 364| Modernist Studies Old and New: An Interview with Douglas Mao
                                            |  Charlotte Estrade,  Chloé Thomas
                                    </li>
                            <li>
                     Pages 365 to 372| "Good criticism must commend itself by its style": an interview
with William Marx
                                            |  Chloé Thomas
                                    </li>
                            <li>
                     Pages 373 to 379| "Introductory" from A Homemade World: American Modernist Writers
(French translation)
                                            |  Hugh Kenner
                                    </li>
                            <li>
                     Pages 380 to 382| Notes on Contributors
                                    </li>
                            <li>
                     Pages 383 to 383| Concluding Pages
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_PHIL_981</id>
    <title type="html"><![CDATA[
        Volume 98, Issue 1
                    | Revue de philologie, de littérature et d&#039;histoire anciennes
            (2024/1 Tome XCVIII)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-de-philologie-de-litterature-et-dhistoire-anciennes-2024-1?lang=en" type="text/html" rel="alternate" />
            <published>2024-01-28T00:00:00+01:00</published>
                <updated>2026-02-20T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 6| Opening pages
                                    </li>
                            <li>
                     Pages 7 to 22| The “authorities” in a “public” province under the Julio-Claudians:
Torquatus Novellius Atticus in Narbonensis with a <i>comes</i> and
<i>adsessor</i> (p. 7-22)
                                            |  Michel Christol
                                    </li>
                            <li>
                     Pages 23 to 52| Maenad names: Linguistic notes
                                            |  Jaime Curbera
                                    </li>
                            <li>
                     Pages 53 to 71| Skylax of Karyanda, Sophocles and the <i>kynara</i>: a “thorny”
issue (p. 53-71)
                                            |  Paul Greco
                                    </li>
                            <li>
                     Pages 73 to 92| Iamblichus’ Fortune in Byzantium (13<sup>th</sup>-14<sup>th</sup>
c.) (p. 73-92)
                                            |  Michel Christol
                                    </li>
                            <li>
                     Pages 93 to 157| <i>Nvgae catvllianae</i>, III. Observations on the Text and
Exegesis of Catullus’ Poems 65-116 &amp;gt;(p. 93-157)
                                            |  Gauthier Liberman
                                    </li>
                            <li>
                     Pages 159 to 180| Ammonios’ Speech in Plutarch’s <i>De E apud Delphos</i>. A
Reconsideration (p. 159-180)
                                            |  Andrei Timotin
                                    </li>
                            <li>
                     Pages 181 to 183| Paul Goukowsky and Christophe Feyel, <i>Le profil d’une ombre.
Études sur les</i> Helléniques <i>d’Oxyrhynchos</i>, Études
anciennes, 70, Nancy&#160;–&#160;Paris, ADRA&#160;–&#160;De
Boccard, 2019, 444 pages.
                                            |  Pierre Pontier
                                    </li>
                            <li>
                     Pages 183 to 188| Philostrate, <i>Vie d’Apollonios de Tyane</i>, texts introduced,
translated, and commented on by Valentin Decloquement, La Roue à
Livres, 99, Paris, Les Belles Lettres, 2023, 606 pages.
                                            |  Jean-Philippe Guez
                                    </li>
                            <li>
                     Pages 188 to 190| Carlo Di Giovine, <i>Metafore e lessico della relegazione. Studio
sulle opere ovidiane dal Ponto</i>, Il carro di Medea. Studi, 1,
Rome, Deinotera editrice, 2020, 174 pages.
                                            |  Cécile Margelidon
                                    </li>
                            <li>
                     Pages 191 to 194| <i>Le vote populaire à Rome</i>, texts introduced, translated, and
commented on by Clément Chillet, La Roue à Livres. Documents,
Paris, Les Belles Lettres, 2023, 656 pages.
                                            |  Julie Bothorel
                                    </li>
                            <li>
                     Pages 194 to 199| Julie Bothorel and Frédéric Hurlet (eds.), <i>Le Tirage au sort
dans l’Antiquité. Du monde grec à Rome</i>, Histoire &amp;
Épigraphie, 6, Lyon, MOM Éditions, 2025, 346 pages.
                                            |  Philippe Moreau
                                    </li>
                            <li>
                     Pages 199 to 204| Michèle Villetard, <i>Archéologie des lieux d’enseignement dans le
monde romain</i>, Archaiologia, Villeneuve d’Ascq, Presses
Universitaires du Septentrion, 2023, 544 pages.
                                            |  Daria Russo
                                    </li>
                            <li>
                     Pages 205 to 209| End pages
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_ELA_220</id>
    <title type="html"><![CDATA[
        The adventures of <i>The Little Prince</i> in translation
                    | Éla. Études de linguistique appliquée
            (2025/4 n° 220)
            ]]></title>
            <subtitle type="html">
            <![CDATA[Linguistic, typological, and plurilingual perspectives]]>
        </subtitle>
        <link href="https://shs.cairn.info/journal-ela-etudes-de-linguistique-appliquee-2025-4?lang=en" type="text/html" rel="alternate" />
            <published>2026-01-28T00:00:00+01:00</published>
                <updated>2026-02-18T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 393 to 394| Opening pages
                                    </li>
                            <li>
                     Pages 395 to 397| Foreword <i>The Little Prince</i> through the lens of linguists!
                                            |  Jean Pruvost
                                    </li>
                            <li>
                     Pages 399 to 403| Introduction
                                            |  Marion Bendinelli,  Danh-Thành Do-Hurinville
                                    </li>
                            <li>
                     Pages 405 to 423| From literary planet to world literature: The current context of
the translation of <i>The Little Prince</i>
                                            |  Nicole Biagioli
                                    </li>
                            <li>
                     Pages 425 to 441| The contribution of plurilingualism in the comparative approach to
translations of <i>The Little Prince</i>
                                            |  Myriam Olah
                                    </li>
                            <li>
                     Pages 443 to 460| Translating <i>The Little Prince</i> – Typological issues and
practical challenges: The case of Wolof and the Crescent languages
                                            |  Maximilien Guérin
                                    </li>
                            <li>
                     Pages 461 to 477| The Algerian Arabic translation of <i>The Little Prince</i> under
the intercultural microscope
                                            |  Mohammed Amin Benaribi
                                    </li>
                            <li>
                     Pages 479 to 493| Translating “falloir”: An inevitable rewriting of meaning?
Reflections on the English translation of <i>The Little Prince</i>
by Katherine Woods
                                            |  Héloïse Perbet
                                    </li>
                            <li>
                     Pages 495 to 511| Variations and reformulations in <i>The Little Prince</i>: Saying,
thinking, constructing the ephemeral
                                            |  Sara de Vogüé
                                    </li>
                            <li>
                     Pages 513 to 519| Toward a legal translatology based on frame semantics
                                            |  Waldemar Nazarov
                                    </li>
                            <li>
                     Pages 521 to 523| Author bios
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_LING_612</id>
    <title type="html"><![CDATA[
        Creoles through the study of ancient texts
                    | La linguistique
            (2025/2 Vol. 61)
            ]]></title>
        <link href="https://shs.cairn.info/journal-la-linguistique-2025-2?lang=en" type="text/html" rel="alternate" />
            <published>2026-01-30T00:00:00+01:00</published>
                <updated>2026-02-16T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 7| Creoles through the study of ancient texts: foreword
                                            |  Olivier-Serge Candau,  Béatrice Jeannot-Fourcaud
                                    </li>
                            <li>
                     Pages 9 to 39| Between shadow and light: a few words on the “genius” of the Creole
language
                                            |  Olivier-Serge Candau
                                    </li>
                            <li>
                     Pages 41 to 56| Dynamics of Creole phonology, innovations, and substrates
                                            |  Juliette Facthum-Sainton
                                    </li>
                            <li>
                     Pages 57 to 75| The verbal system of Guyanese Creole in the 19<sup>th</sup> century
                                            |  William Jennings
                                    </li>
                            <li>
                     Pages 77 to 95| The expression of degree in Haitian Creole from the 18<sup>th</sup>
century to the present day
                                            |  Mideline Dragon
                                    </li>
                            <li>
                     Pages 97 to 120| Comparative structures in 18<sup>th</sup> century Caribbean French
Creole
                                            |  Béatrice Jeannot-Fourcaud
                                    </li>
                            <li>
                     Pages 121 to 157| Present tense verb forms in Abbé Goux's <i>Catechism in Creole,
preceded by a grammar essay...</i> (1842)
                                            |  Bohdana Librová,  Georges Daniel Véronique
                                    </li>
                            <li>
                     Pages 159 to 179| Ideophones in Haitian Creole
                                            |  Renauld Govain,  Patrice K. Édouard
                                    </li>
                            <li>
                     Pages 181 to 207| For a new reading of old documents in Creole languages: who writes,
for whom, what, and how?
                                            |  Peter Stein
                                    </li>
                            <li>
                     Pages 209 to 235| The creolization of languages along the Silk Road: the case of the
Hezhou language
                                            |  Mengyang Yu
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_BALZ_004</id>
    <title type="html"><![CDATA[
        Rereading <i>Le Médecin de campagne</i>
                    | L’Année balzacienne
            (2003/1 No 4)
            ]]></title>
        <link href="https://shs.cairn.info/journal-l-annee-balzacienne-2003-1?lang=en" type="text/html" rel="alternate" />
            <published>2003-06-01T00:00:00+02:00</published>
                <updated>2026-02-02T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 7 to 24| <i>Le Médecin de campagne</i> and the Status of the Narrative
                                            |  Michaël Tilby
                                    </li>
                            <li>
                     Pages 25 to 42| Figures of Violence in <i>Le Médecin de campagne</i>
                                            |  Owen Heathcote
                                    </li>
                            <li>
                     Pages 43 to 62| From <i>Imitation de Jésus-Christ</i> to <i>L'évangile en
action</i>
                                            |  Mireille Labouret
                                    </li>
                            <li>
                     Pages 63 to 76| Grieving in <i>Le Médecin de campagne</i>
                                            |  Alex Lascar
                                    </li>
                            <li>
                     Pages 77 to 90| Fantasy and Sublimation in <i>Le Médecin de campagne</i>
                                            |  Anne-Marie Baron
                                    </li>
                            <li>
                     Pages 91 to 100| The Art of Being a Believer
                                            |  Brigitte Méra
                                    </li>
                            <li>
                     Pages 101 to 123| The Poetics of Utopia in <i>Le Médecin de campagne</i>
                                            |  Françoise Sylvos
                                    </li>
                            <li>
                     Pages 125 to 160| The Ethics of Politics and the Politics of Ethics in <i>La Comédie
humaine</i>
                                            |  Max Andréoli
                                    </li>
                            <li>
                     Pages 163 to 178| <i>Sténie</i>, the Invented Touraine
                                            |  Roland Chollet
                                    </li>
                            <li>
                     Pages 179 to 194| R'hoone, Saint-Aubin, and Viellerglé in the Light of the Reading
Rooms
                                            |  Marie-Bénédicte Diethelm
                                    </li>
                            <li>
                     Pages 197 to 223| Balzac and Literary Property Rights
                                            |  Frédéric Pollaud-Dulian
                                    </li>
                            <li>
                     Pages 225 to 247| The Ethics of the Novel: Balzac Responds to Hippolyte Catille
                                            |  Arlette Michel
                                    </li>
                            <li>
                     Pages 251 to 263| Next Door to a Chemist Called Thilorier
                                            |  Joost Mertens
                                    </li>
                            <li>
                     Pages 265 to 284| Balzac and the Collection
                                            |  Boris Lyon-Caen
                                    </li>
                            <li>
                     Pages 285 to 305| <i>Béatrix</i> or the Game of the Fly and Chance
                                    </li>
                            <li>
                     Pages 307 to 329| Water as a Bringer of Death: The Theme of Drowning in Balzac
                                            |  Lucette Besson
                                    </li>
                            <li>
                     Pages 333 to 348| Notes
                                    </li>
                            <li>
                     Pages 349 to 378| Critical Review
                                    </li>
                            <li>
                     Pages 379 to 391| Balzac Bibliography
                                    </li>
                            <li>
                     Pages 393 to 409| Balzac Abroad
                                    </li>
                            <li>
                     Pages 411 to 414| News and Information
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_ROM_210</id>
    <title type="html"><![CDATA[
        Politeness
                    | Romantisme
            (2025/4 n° 210)
            ]]></title>
        <link href="https://shs.cairn.info/journal-romantisme-2025-4?lang=en" type="text/html" rel="alternate" />
            <published>2025-12-09T00:00:00+01:00</published>
                <updated>2026-01-21T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 1 to 4| Front matter
                                    </li>
                            <li>
                     Pages 5 to 19| Introduction
                                            |  François Kerlouégan
                                    </li>
                            <li>
                     Pages 20 to 29| Politeness rekindled from the heart: the case of Astolphe de
Custine’s novels
                                            |  Samantha Caretti
                                    </li>
                            <li>
                     Pages 30 to 40| Musset and aristocratic distinction: from decorum to discourtesy
                                            |  Camille Trucart
                                    </li>
                            <li>
                     Pages 41 to 54| The “science of manners”: Balzac, the hermeneut of “big little
things”
                                            |  Céline Duverne
                                    </li>
                            <li>
                     Pages 55 to 67| “If not blunt, at least brusqueˮ: politeness and national sentiment
in Charlotte Brontë’s&#160;Jane Eyre
                                            |  Jeanne Barangé
                                    </li>
                            <li>
                     Pages 68 to 78| Politeness and transgression in fin de siècle comic theatre. Madame
Sans-Gêne (1893) and La Dame de chez Maxim (1899)
                                            |  E. Moreau
                                    </li>
                            <li>
                     Pages 79 to 90| Tact and text(ile): politeness at play in the works of Octave
Uzanne
                                            |  Cyril Barde
                                    </li>
                            <li>
                     Pages 91 to 93| Bibliography
                                    </li>
                            <li>
                     Pages 94 to 110| The enigma of things unsaid and the mystery of the unutterable.
Exploring the ending of Lucrèce Borgia
                                            |  Tsolag Paloyan
                                    </li>
                            <li>
                     Pages 111a to 135a| <b>Olivier Bara and Patrick Taïeb (eds.). <i>La Musique de scène
dans le théâtre parlé, des Lumières au Romantisme</i>. Montpellier,
Presses universitaires de la Méditerranée, “Pratiques musicales et
Histoire”, 2024, 328&#160;p.</b>
                                            |  Pierre Causse
                                    </li>
                            <li>
                     Pages 111b to 135b| <b>Niklas Bender, Georges Felten, Hugues Marchal (eds.).
<i>Grenzritte zwischen Vers und Prosa (1700-1900) / Chevauchements
du vers et de la prose (1700-1900)</i>. Würzburg, Königshausen
&amp; Neumann, 2024, 278&#160;p.</b>
                                            |  Philipp Lammers
                                    </li>
                            <li>
                     Pages 111c to 135c| <b>Xavier Bourdenet and Fabio Vasarri (eds.). <i>Écrire
l’impuissance au XIX<sup>e</sup>&#160;siècle. Corps, genre,
pouvoir</i>. Rennes, Presses universitaires de Rennes,
“Interférences”, 2024, 285&#160;p.</b>
                                            |  François Kerlouégan
                                    </li>
                            <li>
                     Pages 111d to 135d| <b>Xavier Bourdenet. <i>L’Écriture de l’Histoire chez Mérimée.
L’archive et l’archè</i>. Classiques Garnier, 2022, 752&#160;p.</b>
                                            |  Aude Déruelle
                                    </li>
                            <li>
                     Pages 111e to 135e| <b>Adrien Cavallaro (ed.). <i>Les Romantismes de Rimbaud, La Revue
des lettres modernes</i>. n°&#160;5, Paris, Classiques Garnier,
2024, 218&#160;p.</b>
                                            |  Clara Nouvel
                                    </li>
                            <li>
                     Pages 111f to 135f| <b>Jessica Desclaux, Bertrand Gervais, Corentin Lahouste, Anne
Reverseau and Marcela Scibiorska (eds.). <i>Iconothèques&#160;:
collecte, stockage et transmission d’images chez les écrivains et
les artistes (XIX<sup>e</sup>– XXI<sup>e</sup>&#160;siècle)</i>.
Rennes, Presses universitaires de Rennes, 2024,
476&#160;p.&#160;</b>
                                            |  Kathryn Brown
                                    </li>
                            <li>
                     Pages 111g to 135g| <b>Céline Duverne. <i>Poètes, poésie et poéticité dans l’œuvre
d’Honoré de&#160;Balzac</i>. Genève, Droz, coll. “Histoire des
idées et critique littéraire”, 2024, 448&#160;p.</b>
                                            |  Philippe Dufour
                                    </li>
                            <li>
                     Pages 111h to 135h| <b>Mathilde Falguière-Léonard, Céline Grenaud-Tostain,
Jean-Sébastien Macke, Bruno Martin. <i>Émile Zola et la
photographie. Une page d’amour</i>. Paris, Hermann, 2023.</b>
                                            |  Philippe Ortel
                                    </li>
                            <li>
                     Pages 111i to 135i| <b>Marie-Ange Fougère and Florence Fix (eds.). <i>Humanités
ridicules au XIX<sup>e</sup>&#160;siècle</i>. Dijon, Éditions
universitaires de Dijon, coll. “Écritures”, 2024, 176&#160;p.</b>
                                            |  Hélène Parent
                                    </li>
                            <li>
                     Pages 111j to 135j| <b>Camille Islert. <i>Renée Vivien&#160;: une poétique sous
influence&#160;?</i>. Lyon, Presses universitaires de Lyon, coll.
“Des deux sexes et autres”, 2024, 617&#160;p.</b>
                                            |  Tristan Guiot
                                    </li>
                            <li>
                     Pages 111k to 135k| <b>Martine Jey. <i>Gustave Lanson (1857-1934). Itinéraire d’un
Professeur de la République</i>. Paris, Classiques Garnier, 2025,
644&#160;p.</b>
                                            |  Alain Vaillant
                                    </li>
                            <li>
                     Pages 111l to 135l| <b>Chantal Massol (ed.). <i>L’Imaginaire des genres</i>. Rennes,
Presses universitaires de Rennes, “La Licorne”, 2024,
302&#160;p.</b>
                                            |  Bernard Gendrel
                                    </li>
                            <li>
                     Pages 111m to 135m| <b>Luca Pietromarchi and Francesco Spandri (eds.). <i>Littérature
et économie. Relire La Maison Nucingen de&#160;Balzac</i>. Rome,
Roma Tre Press, 2023, 192&#160;p.&#160;</b>
                                            |  Jérémy Naïm
                                    </li>
                            <li>
                     Pages 111n to 135n| <b>Christophe Pradeau. <i>Sur les lieux</i>. Lagrasse, Verdier,
coll. “Critique littéraire”, 2024, 512&#160;p.</b>
                                            |  Marie-Clémence Régnier
                                    </li>
                            <li>
                     Pages 111o to 135o| <b>Sophie Vanden Abeele-Marchal, Christophe Pradeau, Myriam Roman
(eds.). <i>Le Choix d’Hercule. Morales du premier
XIX<sup>e&#160;</sup>siècle</i>. Paris, Sorbonne Université
Presses, 2024, 364&#160;p.</b>
                                            |  Emiliano Cavaliere
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_ELA_219</id>
    <title type="html"><![CDATA[
        Franco-Chinese lexicography
                    | Éla. Études de linguistique appliquée
            (2025/3 n° 219)
            ]]></title>
            <subtitle type="html">
            <![CDATA[Tribute to Jean Pruvost and Jianhua Huang]]>
        </subtitle>
        <link href="https://shs.cairn.info/journal-ela-etudes-de-linguistique-appliquee-2025-3?lang=en" type="text/html" rel="alternate" />
            <published>2025-07-21T00:00:00+02:00</published>
                <updated>2026-01-18T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 257 to 260| Opening pages
                                    </li>
                            <li>
                     Pages 261 to 265| Foreword Franco-Chinese lexicography: A research field so rich in
its human and linguistic associations at the heart of two languages
so complicit and distinct
                                            |  Jean Pruvost
                                    </li>
                            <li>
                     Pages 267 to 276| Introduction
                                            |  Lian Chen
                                    </li>
                            <li>
                     Pages 277 to 293| Chinese-French bilingual dialect dictionaries: From Christian
mission to French politics
                                            |  Feifei Shen,  François Gaudin
                                    </li>
                            <li>
                     Pages 295 to 311| New reflections on the conception and editing of the <i>Grand
dictionnaire chinois-français contemporain (GDCFC)</i>
                                            |  Fang Huang,  Jianhua Huang
                                    </li>
                            <li>
                     Pages 313 to 332| Toward a multimodal definition of the lexicon of emotions in
French-Chinese learning dictionaries: An approach based on
(schematic) categorization and metaphor
                                            |  Na Yang,  Yihua Zhang
                                    </li>
                            <li>
                     Pages 333 to 352| A lexical database for scientific writing in French and its access
through translation into Chinese
                                            |  Jingrao Li,  Agnès Tutin
                                    </li>
                            <li>
                     Pages 353 to 375| From lexical unit to character: Toward a dictionary of Chinese
lexical units
                                            |  Yanjing Bi,  Lichao Zhu
                                    </li>
                            <li>
                     Pages 377 to 385| Book review, Michel FELTIN-PALAS, <i>C’est quoi déjà le mot en
français? Les anglicismes et nous</i>, Éditions Héliopoles,
November 2025, €17.
                                            |  Jean Pruvost
                                    </li>
                            <li>
                     Pages 387 to 389| Author bios
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_BALZ_026</id>
    <title type="html"><![CDATA[
        The medical-marvelous
                    | L’Année balzacienne
            (2025/1 n° 26)
            ]]></title>
        <link href="https://shs.cairn.info/journal-lannee-balzacienne-2025-1?lang=en" type="text/html" rel="alternate" />
            <published>2025-11-13T00:00:00+01:00</published>
                <updated>2026-01-13T00:00:00+01:00</updated>
                <summary type="html"><![CDATA[<p>Dans le premier tiers du XIX<sup>e</sup>&#160;siècle, alors que
les croyances religieuses se fissurent et qu’un certain positivisme
scientifique se développe, le paranormal et les phénomènes
surnaturels occupent paradoxalement une place importante dans la
littérature romanesque. C’est le cas chez Balzac, de manière
ostentatoire dans ses romans de jeunesse comme La Dernière Fée
puis, de manière plus discrète et en accord avec la poétique du
roman de mœurs, dans La Comédie humaine .</p>
<p><br /></p>
<p>La rédaction du grand œuvre balzacien est contemporaine
d’avancées médicales importantes&#160;; mais si la médecine revêt
sous la Restauration une dimension plus scientifique, à la suite du
développement des sciences exactes au xviii e siècle, elle
n’atteint pas les progrès de la médecine expérimentale de la
seconde moitié du siècle sous l’impulsion en particulier de Claude
Bernard.</p>
<p><br /></p>
<p>Balzac se situe au croisement de ces deux médecines. Chez lui,
la notion d’occultisme ne réfère pas systématiquement au mysticisme
mais à une approche scientifique, dont l’écheveau est jugé
méconnu&#160;: il est, pour lui, des connaissances que la science a
tort de mépriser et doit au contraire découvrir. Ce «&#160;docteur
es-sciences magiques&#160;», encore intéressé par les théories
anciennes des humeurs, des tempéraments et de l’écoulement des
fluides, ne cesse de mettre en scène la puissance du psychique sur
le physique, déplaçant le merveilleux vers un réalisme
fantastique.</p>
<p><br /></p>
<p>Ce numéro de L’Année balzacienne s’interroge sur les savoirs
scientifiques et médicaux dans l’œuvre balzacienne mais aussi dans
d’autres œuvres de l’époque. Les articles prennent en considération
les tensions et les rapports entre le merveilleux et le médical ou
entre le mysticisme et la science.</p>
]]></summary>
        <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 1 to 14| Front matter
                                    </li>
                            <li>
                     Pages 15 to 25| Introduction
                                            |  Christelle Girard
                                    </li>
                            <li>
                     Pages 29 to 48| Alfred de Vigny’s Docteur-Noir:
                                            |  Sophie Vanden Abeele-Marchal
                                    </li>
                            <li>
                     Pages 49 to 63| Quack medicine in Balzac, Flaubert, and Maupassant:
                                            |  Kathia Huynh
                                    </li>
                            <li>
                     Pages 65 to 78| The Antichrist revisited:
                                            |  Julie Müller
                                    </li>
                            <li>
                     Pages 81 to 95| A doctor’s novel or a novel by a doctor?
                                            |  Romain Enriquez
                                    </li>
                            <li>
                     Pages 97 to 117| Hector Berlioz and medicine:
                                            |  Sabine Le Hir
                                    </li>
                            <li>
                     Pages 119 to 134| The psychological duo/duel between Stéphanie de Vandières and
Philippe de Sucy:
                                            |  Dana Vuckovic
                                    </li>
                            <li>
                     Pages 135 to 153| The image of the soul in Balzac through the lens of the
medical-marvelous
                                            |  Shane Lillis
                                    </li>
                            <li>
                     Pages 157 to 172| Childbirth as disaster in Balzac’s <i>L’Enfant maudit</i> and
Barbey d’Aurevilly’s <i>Une histoire sans nom</i>
                                            |  Audrey Milet
                                    </li>
                            <li>
                     Pages 173 to 186| The medical-marvelous and ideological discourse:
                                            |  Marie-Hélène Dumont
                                    </li>
                            <li>
                     Pages 187 to 206| Balzac, Gall, and Lavater: Marvels in medicine, marvels in fiction
                                            |  Tim Farrant
                                    </li>
                            <li>
                     Pages 209 to 227| The might of the medical metaphor in Balzac, Scribe, and Sue
                                            |  Anne-Marie Lefebvre
                                    </li>
                            <li>
                     Pages 229 to 239| <i>La Recherche de l’absolu</i>: The marvelous, delusion or
addiction?
                                            |  Olivier Laurini
                                    </li>
                            <li>
                     Pages 241 to 256| The miracles of medicine in Balzac:
                                            |  Anne-Marie Baron
                                    </li>
                            <li>
                     Pages 257 to 270| The medical-marvelous in <i>Le Médecin de campagne</i>
                                            |  Mokhtar Belarbi
                                    </li>
                            <li>
                     Pages 273 to 289| Balzac untamed:
                                            |  Lucius de Mello
                                    </li>
                            <li>
                     Pages 291 to 314| Viellerglé’s <i>Le Tartare ou Le Retour de l’exilé</i> (1822):
                                            |  Michele Morselli
                                    </li>
                            <li>
                     Pages 317 to 319| Grégoire Tavernier, “Le Roman de l’ambition au XIX<sup>e</sup>
siècle (1826-1893).” Thesis supervised by Aude Déruelle and
defended at the Université d’Orléans, September 23, 2023
                                            |  Aude Déruelle
                                    </li>
                            <li>
                     Pages 323 to 331| June 28, 1829: Balzac at the Malmaison library sale
                                            |  Jean-Jacques Gautier
                                    </li>
                            <li>
                     Pages 333 to 335| Véronique BU, <i>Le</i> Voyage <i>en Chine de Monsieur de
Balzac</i>, foreword by Yves Gagneux, Les Indes savantes, 2023,
250&#160;p.
                                            |  Isabelle Michelot
                                    </li>
                            <li>
                     Pages 336 to 338| Critical book review
                                            |  Michele Morselli
                                    </li>
                            <li>
                     Pages 339 to 359| Balzac bibliography
                                            |  Julien Dimerman,  Michel Lichtlé
                                    </li>
                            <li>
                     Pages 361 to 380| Balzac abroad
                                            |  Armine Kotin Mortimer,  Tim Farrant,  Elisheva Rosen,  Mariolina Bongiovanni-Bertini,  Marco Stupazzoni,  Takayasu Oya,  Véra Milchina
                                    </li>
                            <li>
                     Pages 381 to 386| News and information
                                            |  Anne-Marie Baron,  Yves Gagneux,  Isabelle Lamy
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_CRNRENC_111</id>
    <title type="html"><![CDATA[
        The politicization of memory and the crisis of truth: transmission,
testimony and literature
                    | Rencontres Cairn
            (2025/)
            ]]></title>
        <link href="https://shs.cairn.info/cairntalk-the-politicization-of-memory-and-the-crisis-of-truth-transmission-testimony-and-literature?lang=en" type="text/html" rel="alternate" />
            <published>2025-10-29T00:00:00+01:00</published>
                <updated>2025-12-05T00:00:00+01:00</updated>
                <summary type="html"><![CDATA[<p>How can we avoid the twin traps of depoliticization and
overpoliticization, or even dehumanizing perversion, of "memory
work"? What is its major function?</p>
<br />
<p>Since the beginning of the XX<sup>e</sup> century, art and
literature have asserted their desire to give an account of mass
crimes other than through the work of historians; to convey a share
of meaning in these experiences that question and affect the
collective consciousness.</p>
<br />
<p>What about the role of testimonies, between the objectivity of
facts and the subjectivity of narrative? How do they help us find
our bearings in the chaos of polemics generated by certain media
framings? Does their transmission enable us to escape the nihilisms
that threaten our times?</p>
<br />
<p>This meeting revisits the overlapping and contradictory stakes
of academic research, artistic creation and political engagement.
In the age of <i>fake news</i> and "alternative truths", which both
make the world and dislocate it, how are these fields affected by
the attacks and vacillation of truth as a value?</p>
<br />
<p><b>Catherine Coquio</b> is professor of comparative literature
at Université Paris Cité, member of the Cerilac lab, "Écrire et
penser avec l'histoire" axis.</p>
<p>Her work focuses on the writing of history and political
violence, literary testimonies, the notion of the world,
literary-historical-political relations, and the mutations of
nihilism and utopia in the XIX-XXI<sup>e</sup> centuries.</p>
<p>In 1997, with Irving Wolfarth, she co-founded the Association
Internationale de Recherche sur les Crimes contre l'Humanité et les
génocides.</p>
<p>Since 2012, she has co-edited the "Littérature Histoire
Politique" collection at Garnier classiques.</p>
]]></summary>
        <content type="html"><![CDATA[
        <ul>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_ELA_217</id>
    <title type="html"><![CDATA[
        Jean-Baptiste Marcellesi: A sociolinguistics in tune with modernity
                    | Éla. Études de linguistique appliquée
            (2025/1 N° 217)
            ]]></title>
        <link href="https://shs.cairn.info/journal-ela-etudes-de-linguistique-appliquee-2025-1?lang=en" type="text/html" rel="alternate" />
            <published>2025-10-23T00:00:00+02:00</published>
                <updated>2025-11-12T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 1 to 4| Opening pages
                                    </li>
                            <li>
                     Pages 5 to 6| Foreword
                                            |  Foued Laroussi
                                    </li>
                            <li>
                     Pages 7 to 10| Introduction. Jean-Baptiste Marcellesi: Multiple commitments,
contributions, and legacies
                                            |  Sarra Bouzgarrou,  Hind Soudani
                                    </li>
                            <li>
                     Pages 11 to 23| What makes a language distinct from another? With Jean-Baptiste
Marcellesi, a truly scientific theory of sociolinguistic
individuation
                                            |  Philippe Blanchet Lunati
                                    </li>
                            <li>
                     Pages 25 to 33| Jean-Baptiste Marcellesi, a legitimizing device as a source of
commitment
                                            |  Alain Di Meglio
                                    </li>
                            <li>
                     Pages 35 to 46| How is Marcellesian sociolinguistics open to questions of culture?
                                            |  Jürgen Erfurt
                                    </li>
                            <li>
                     Pages 47 to 57| Translation: The blind spot of glottopolitics?
                                            |  Yves Gambier
                                    </li>
                            <li>
                     Pages 59 to 71| Tunisian rap: An identity marker for underprivileged inner-city
youth
                                            |  Safa Chebil
                                    </li>
                            <li>
                     Pages 73 to 86| Plurilingualism and multiculturalism in Aragon’s <i>Le Fou
d’Elsa</i> through the lens of Marcellesi’s concepts of
<i>polyphony</i> and the <i>collective intellectual</i>
                                            |  Hind Soudani
                                    </li>
                            <li>
                     Pages 87 to 93| From Karl Vossler to Jean-Baptiste Marcellesi, via Werner Krauss:
The sources of the Leipzig sociolinguistic school
                                            |  Klaus Bochmann
                                    </li>
                            <li>
                     Pages 95 to 106| The life and work of Jean-Baptiste Marcellesi from the island
perspective
                                            |  Laurence Tramoni
                                    </li>
                            <li>
                     Pages 107 to 112| For the future of a critical sociolinguistics
                                            |  Georg Kremnitz
                                    </li>
                            <li>
                     Pages 113 to 123| On the effectiveness of the concepts of “plurilingualism,” “norms,”
and “linguistic variations” in language teaching/learning in
Algerian universities
                                            |  Nedjma Cherrad
                                    </li>
                            <li>
                     Pages 125 to 128| Concluding pages
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_ETAN_782</id>
    <title type="html"><![CDATA[
        British Radical and Revolutionary Women Writers (1770s–1830s)
                    | Études anglaises
            (2025/2 N° 78)
            ]]></title>
        <link href="https://shs.cairn.info/journal-etudes-anglaises-2025-2?lang=en" type="text/html" rel="alternate" />
            <published>2025-10-23T00:00:00+02:00</published>
                <updated>2025-11-06T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 129 to 130| Opening Pages
                                    </li>
                            <li>
                     Pages 131 to 135| British Radical and Revolutionary Women Writers (1770s–1830s)
                                            |  Éva Antal,  Antonella Braida
                                    </li>
                            <li>
                     Pages 136 to 149| Against Prejudice: Charlotte Smith’s <i>Desmond</i>; or, A Female
Version of the French Revolution
                                            |  Dragoș Ivana
                                    </li>
                            <li>
                     Pages 150 to 166| “There is no withstanding the general voice of the people”: Social
and Political Thought in Ann Jebb’s Pamphlets
                                            |  Carla Tempestoso
                                    </li>
                            <li>
                     Pages 167 to 184| The Trope of the Fallen Woman in Mary Hays’s <i>The Victim of
Prejudice</i>
                                            |  Dóra Janczer Csikós
                                    </li>
                            <li>
                     Pages 185 to 200| “Education cannot unsex a woman”: Mary Robinson’s <i>A Letter to
the Women of England</i>
                                            |  Maria Parrino
                                    </li>
                            <li>
                     Pages 201 to 216| Mary Shelley’s Support for the Italian Revolutions of the 1820s and
1830s
                                            |  Antonella Braida
                                    </li>
                            <li>
                     Pages 217 to 236| From the cliff to the foreshore: the English coastline under George
III, a troubled territory
                                            |  Laurent Folliot
                                    </li>
                            <li>
                     Pages 237 to 241| Éva ANTAL and Antonella BRAIDA (eds.)&#160;—&#160;<i>Female Voices:
Forms of Women’s Reading, Self-Education and Writing in Britain
(1770-1830)</i> (Besançon, Presses Universitaires de Franche-Comté,
2022, 269&#160;p., ISBN: 978-2-84867-933-4)
                                            |  Marion Leclair
                                    </li>
                            <li>
                     Pages 241 to 243| Evanghelia STEAD&#160;—&#160;<i>Grotesque and Performance in the
Art of Aubrey Beardsley</i> (Open Book Press, 2024. 292 pages
(xii+280), ISBN 978-1-80511-345-4 (Paperback), 978-1-80511-346-1
(Hardback))
                                            |  Xavier Giudicelli
                                    </li>
                            <li>
                     Pages 244 to 248| Céline LOCHOT&#160;—&#160;<i>Complexe de l’ironiste, De Quincey à
l’œuvre</i> (Grenoble, UGA Editions, 2021, 352&#160;p., ISBN:
978-2-37747-231-4; OpenEdition Books: 978-2-37747-274-1)
                                            |  Thomas Leblanc
                                    </li>
                            <li>
                     Pages 249 to 251| Notes on Contributors
                                    </li>
                            <li>
                     Pages 253 to 256| Concluding Pages
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_DSS_253</id>
    <title type="html"><![CDATA[
        Varia
                    | Dix-septième siècle
            (2025/3 Nº 308)
            ]]></title>
        <link href="https://shs.cairn.info/journal-dix-septieme-siecle-2025-3?lang=en" type="text/html" rel="alternate" />
            <published>2025-10-03T00:00:00+02:00</published>
                <updated>2025-10-27T00:00:00+01:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 425 to 435| Reflections on Painting in France Before the <i>Conférences</i> of
the Académie Royale (1578-1667)
                                            |  Jan Blanc,  Antoine Gallay,  Léonie Marquaille
                                    </li>
                            <li>
                     Pages 437 to 472| The View of Painting in the Accounts of French Travelers in Italy
(1580-1660)
                                            |  Emmanuelle Hénin
                                    </li>
                            <li>
                     Pages 473 to 489| “Tous les pinceaux d’Italie”: Italian Painters in the French
Artistic Literature of the First Half of the Seventeenth Century
                                            |  Pauline Randonneix
                                    </li>
                            <li>
                     Pages 491 to 505| Poussin as Author
                                            |  Olivier Bonfait
                                    </li>
                            <li>
                     Pages 507 to 516| Painting Terms in the Italian and French Editions of Leonardo da
Vinci’s <i>Trattato/Traitté</i> (1651)
                                            |  Anna Sconza
                                    </li>
                            <li>
                     Pages 517 to 532| Drawing Before “Dessein”: “Portraiture,” a Notion in Decline
(ca.&#160;1550 -1670)
                                            |  Gabriel Batalla-Lagleyre
                                    </li>
                            <li>
                     Pages 533 to 545| Poems on Art in France in the First Half of the Seventeenth
Century: A Contribution to Art History?
                                            |  Marianne Cojannot-Le Blanc
                                    </li>
                            <li>
                     Pages 547 to 559| Painting and Juridical Discourse in Early Seventeenth-Century
France: The Case of the Protestant Theologian Moyse Amyraut
                                            |  Matthieu Lett
                                    </li>
                            <li>
                     Pages 561 to 571| The Lives of Artists in Sébastien de Saint-Aignan’s <i>Traité de
peinture</i>: Enumeration, Compilation Practices, and New
Contributions
                                            |  Léonie Marquaille
                                    </li>
                            <li>
                     Pages 573 to 588| The Role of Painting in the Writings of Samuel Sorbière: Between
Literary Uses and Philosophical Critique
                                            |  Antoine Gallay
                                    </li>
                            <li>
                     Pages 591 to 598| “The Fox’s Tail on Their Ear”: Note on a Passage from <i>Riquet à
la Houppe</i> by Charles Perrault
                                            |  Alain Lanavère
                                    </li>
                            <li>
                     Pages 599 to 603| Esther DEHOUX, Caroline GALLAND, Catherine VINCENT&#160;(eds.),
<i>Des usages de la grâce. Pratiques des indulgences du Moyen Âge à
l’époque contemporaine</i>, Villeneuve d’Ascq, Presses
universitaires du Septentrion, 2021, 487&#160;p.,
16&#160;×&#160;24&#160;cm.
                                            |  Nicolas Richard
                                    </li>
                            <li>
                     Pages 603 to 606| Maxime CARTRON, <i>«&#160;Au seuil d’une présence nue&#160;».
Phénoménologies baroques</i>, Genève, Droz, “Courant critique”,
2025, 130&#160;p., 12&#160;×&#160;19&#160;cm.
                                            |  Antoine Bouvet
                                    </li>
                            <li>
                     Pages 606 to 608| Florie IMBERT-PELLISSIER, Angelo ODORE and Léa RENUCCI&#160;(eds.),
<i>Distances, XVI<sup>e</sup>-XVII<sup>e</sup>&#160;siècles</i>,
Aix-en-Provence, Presses universitaires de Provence, “Le Temps de
l’histoire”, 2024, 233&#160;p., 24&#160;×&#160;16&#160;cm.
                                            |  Clara Dean
                                    </li>
                            <li>
                     Pages 608 to 610| Jean-Paul COUJOU, <i>Philosophies du Siècle d’Or espagnol. Figures
de la pensée juridique et politique</i>, Paris, H.&#160;Champion,
“Littératures étrangères”, 2022, 476&#160;p.,
15,5&#160;×&#160;23,5&#160;cm.
                                            |  Gaëlle Demelemestre
                                    </li>
                            <li>
                     Pages 611 to 615| Daniel-Odon HUREL (ed.), <i>Être bénédictin sous l’Ancien Régime.
La congrégation de Saint-Maur (1618-1790)</i>, Turnhout, Brepols,
“Bibliothèque de la Revue d’histoire ecclésiastique”, 2024,
386&#160;p., 15,5&#160;×&#160;23,5&#160;cm.
                                            |  Jean-Benoît Poulle
                                    </li>
                            <li>
                     Pages 615 to 618| Ivo CERMAN, Michal MORAWETZ&#160;(eds.), <i>Die böhmische
Leibeigenschaft in Rechtsdokumenten (1648-1742)</i>, České
Budějovice, Jihočeská univerzita v Českých Budějovicích,
Filozofická fakulta, “Prameny k českým dějinám 16.-18.
století&#160;–&#160;Documenta res gestas Bohemicas saeculorum
XVI.-XVIII.”, série&#160;B, vol.&#160;XI, 2023, 375&#160;p.,
18&#160;×&#160;27&#160;cm.
                                            |  Nicolas Richard
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_ETAN_781</id>
    <title type="html"><![CDATA[
        The North of Ireland/Northern Ireland: borders, bodies and
communities
                    | Études anglaises
            (2025/1 nº 78)
            ]]></title>
        <link href="https://shs.cairn.info/journal-etudes-anglaises-2025-1?lang=en" type="text/html" rel="alternate" />
            <published>2025-09-20T00:00:00+02:00</published>
                <updated>2025-10-24T00:00:00+02:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 1 to 2| Opening Pages
                                    </li>
                            <li>
                     Pages 3 to 12| Introduction. The North of Ireland: Borders, Bodies and Communities
in the Post-Agreement Era
                                            |  Fiona McCann
                                    </li>
                            <li>
                     Pages 13 to 28| Dividing Lines: The Border Roads of Irish Poetry
                                            |  Adam Hanna,  Anna Teekell
                                    </li>
                            <li>
                     Pages 29 to 44| The “Northern Ireland: Living with the Troubles” Exhibition at the
Imperial War Museum: Rebalancing Voices, Authority and Engagement
                                            |  Karine Bigand
                                    </li>
                            <li>
                     Pages 45 to 59| “Corporeal, raging”: Body Work in New Writing from the North of
Ireland
                                            |  Caroline Magennis
                                    </li>
                            <li>
                     Pages 60 to 75| Child Abuse in Northern Ireland: Kincora, an Elusive Truth?
                                            |  Fabrice Mourlon
                                    </li>
                            <li>
                     Pages 76 to 91| “[W]hat community means” in Wendy Erskine’s Short Stories
                                            |  Fiona McCann
                                    </li>
                            <li>
                     Pages 92 to 110| “With four or five most vile and ragged foils”: Shakespearean
metonymy or political topos?
                                            |  John Delsinne
                                    </li>
                            <li>
                     Pages 111 to 113| Howard Phillips LOVECRAFT Récits (Paris: Gallimard / La Pléiade,
2024, LVIII + 1,349&#160;p., €76)
                                            |  Jean-Jacques Lecercle
                                    </li>
                            <li>
                     Pages 113 to 115| Claire WROBEL&#160;—&#160;<b>Roman noir, réforme et surveillance en
Angleterre (1764-1842). Gothique et panoptique</b> (Paris:
Classiques Garnier, 2022, 546&#160;p., €49)
                                            |  Antonella Braida
                                    </li>
                            <li>
                     Pages 116 to 118| Anne-Marie SMITH-DI BIASIO&#160;—&#160;<b>Le Palimpseste
mémoriel</b>&#160;: <b>entendre la mémoire au fil des
modernismes</b> (Paris: Sorbonne Université Presses, coll. “Mondes
anglophones”, 2024, 212&#160;p., €24)
                                            |  Xavier Giudicelli
                                    </li>
                            <li>
                     Pages 118 to 121| Luke ROBERTS&#160;—&#160;Living in History: Poetry in Britain,
1945-1979 (Edinburgh: Edinburgh University Press, 2024,
280&#160;p., $120)
                                            |  Tom Allen
                                    </li>
                            <li>
                     Pages 122 to 124| Notes on Contributors
                                    </li>
                            <li>
                     Pages 125 to 127| Guidelines for Authors
                                    </li>
                            <li>
                     Pages 128 to 128| Concluding Pages
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_PHIL_972</id>
    <title type="html"><![CDATA[
        Volume 97, Issue 2
                    | Revue de philologie, de littérature et d&#039;histoire anciennes
            (2023/2 Tome XCVII)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-de-philologie-de-litterature-et-dhistoire-anciennes-2023-2?lang=en" type="text/html" rel="alternate" />
            <published>2023-09-15T00:00:00+02:00</published>
                <updated>2025-10-24T00:00:00+02:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 3 to 6| Opening pages
                                    </li>
                            <li>
                     Pages 7 to 35| The fragment 912 Kn. of Euripides&#160;: «&#160;Either Zeus or
Hades&#160;» and a <i>pelanos</i>
                                            |  Claudio Felisi
                                    </li>
                            <li>
                     Pages 37 to 59| <i>NVGAE CATVLLIANAE</i>, II. Observations on the Text and Exegesis
of Catullus’ Poems 61-64 (p. 37-59)
                                            |  Gauthier Liberman
                                    </li>
                            <li>
                     Pages 61 to 78| The race of the <i>Luperci</i> recontextualized (p. 61-78)
                                            |  Alessio Quaglia
                                    </li>
                            <li>
                     Pages 79 to 122| In search of serial verb constructions in Ancient Greek (p. 79-122)
                                            |  Pierre Ragot
                                    </li>
                            <li>
                     Pages 123 to 154| The presence and use of Plato’s political dialogues in Simplicius’
commentary on Epictetus’ <i>Manual</i>&#160;: principles and
illustration of a hermeneutic practice (p. 123-154)
                                            |  Stéphane Toulouse
                                    </li>
                            <li>
                     Pages 155 to 162| Remarks on the botanical categories in Servius and other
commentators on Virgil
                                            |  Françoise Daspet
                                    </li>
                            <li>
                     Pages 163 to 204| Chronicle of Greek Etymology No. 21
                                            |  Alain Blanc,  Charles de Lamberterie
                                    </li>
                            <li>
                     Pages 205 to 208| Théophraste [Theophrastus], <i>Les causes des phénomènes végétaux.
Vol. III: Books V and VI</i>, edited and translated by Suzanne
Amigues, Collection des Universités de France. Greek Series, no.
529, Paris: Les Belles Lettres, 2017, xxxiv + 260 pages, including
124 facing-page spreads.
                                            |  Alessandro Buccheri
                                    </li>
                            <li>
                     Pages 208 to 210| Dion de Pruse dit Chrysostome [Dio of Prusa, known as Chrysostom],
<i>Œuvres. Discours Olympique ou Sur la conception première de la
divinité (Or. XII); À Athènes, sur sa fuite (Or. XIII)</i>, text
established, introduced, and annotated by Gianluca Ventrella,
translated by Thierry Grandjean and Lucie Thévenet, Collection des
Universités de France. Série grecque, 535, Paris: Les Belles
Lettres, 2017, 846 pages, including 72 facing-page spreads.
                                            |  Valentin Decloquement
                                    </li>
                            <li>
                     Pages 211 to 213| Marcellinus, <i>Sur</i> Les états de cause <i>d’Hermogène</i>, text
established and translated by Michel Patillon, Collection des
universités de France. Série grecque, 569, Paris, Les Belles
Lettres, 2023, xxxii + 702 pages dont 314 doubles
                                            |  Valentin Decloquement
                                    </li>
                            <li>
                     Pages 213 to 214| Ajda Latifses, <i>La muse trompeuse. Dramaturgie de la ruse dans
les tragédies d’Euripide</i>, Collection d’études anciennes. Série
grecque, 160, Paris, Les Belles Lettres, 2021, 496 pages
                                            |  Marie Anne Sabiani
                                    </li>
                            <li>
                     Pages 214 to 216| François Renaud, <i>La justice du dialogue et ses limites. Étude
du</i> Gorgias <i>de Platon</i>, Collection d’études anciennes.
Série grecque, 162, Paris, Les Belles Lettres, 2022, 336 pages
                                            |  Pierre Chiron
                                    </li>
                            <li>
                     Pages 216 to 220| Christophe Chandezon and Julien du Bouchet (eds.),
<i>L’onirocritique grecque. D’Artémidore à Foucault</i>, Paris, Les
Belles Lettres, 2023, 460 pages
                                            |  Andrei Timotin
                                    </li>
                            <li>
                     Pages 220 to 225| Julien Devinant, <i>Les troubles psychiques selon Galien. Étude
d’un système de pensée</i>, Collection d’études anciennes. Série
grecque, 159, Paris, Les Belles Lettres, 2020, 436 pages
                                            |  Sandro Passavanti
                                    </li>
                            <li>
                     Pages 225 to 227| Laurent Calvié and Michel Patillon, <i>Paul Maas. Les dessous de la
littérature grecque. Paléographie, histoire et critique des
textes</i>, texts selected, presented, and translated by Laurent
Calvié, in collaboration with Michel Patillon, Essais. Série
“Philologie”, Toulouse, Anacharsis, 2020, 246 pages, 15
illustrations
                                            |  Morgane Cariou
                                    </li>
                            <li>
                     Pages 227 to 232| Philippe Le Doze (ed.), <i>Le Costume de Prince. Vivre et se
conduire en souverain dans la Rome antique d’Auguste à
Constantin</i>, Collection de l’École française de Rome, 587, Rome,
École française de Rome<i>,</i> 2021, 590 pages
                                            |  Philippe Moreau
                                    </li>
                            <li>
                     Pages 233 to 234| New Publications
                                    </li>
                            <li>
                     Pages 238 to 239| End pages
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_CRNRENC_101</id>
    <title type="html"><![CDATA[
        Crossroads between psychoanalysis, love-desire and literature
                    | Rencontres Cairn
            (2025/)
            ]]></title>
        <link href="https://shs.cairn.info/cairntalk-crossroads-between-psychoanalysis-love-desire-and-literature?lang=en" type="text/html" rel="alternate" />
            <published>2025-10-07T00:00:00+02:00</published>
                <updated>2025-10-07T00:00:00+02:00</updated>
                <summary type="html"><![CDATA[<p>In this encounter, Raja Ben Slama, explores the central role of
language in psychoanalysis, particularly through the experience of
translation, seen as a place for displacing meaning and working
with the unconscious.</p>
<br />
<p>His thinking, informed by psychoanalysis, literature and
deconstructive thought, also questions gender categories and
deconstructs the masculine/feminine dichotomy.</p>
<br />
<p>The interpretation of love and desire unfolds against a backdrop
of Arab-Muslim heritage, between poetic, mystical and unconscious
readings.</p>
<br />
<p>This talk weaves a dialogue between psychoanalysis, literature
and gender thinking, rethinking love, the feminine and the
masculine in the light of their multiple symbolic inscriptions.</p>
<br />
<p><b>Raja Ben Slama</b> is a Tunisian university professor
(Université de la Manouba) and psychoanalyst. She is the author of
several books questioning the myths and silences of Arab-Islamic
tradition, as well as the paradoxes of modern mutations. She was
editor-in-chief of the electronic journal of critical thought
<i>Alawan</i> between 2007 and 2020 and director general of the
National Library of Tunisia between 2015 and 2023, where she
digitized and made freely available much of Tunisia's written
heritage. Since December 2023, she has been elected director of the
journal IBLA (<i>Revue de l'Institut des belles lettres
arabes</i>), which has been published in Tunis since 1937.</p>
<p>Raja Ben Slama is committed to defending human rights and
democratic values. She has thus helped found the Manifeste des
libertés (France), the Association culturelle tunisienne pour la
défense de laïcité and the Ligue des Rationalistes arabes.</p>
<br />
<p>This conversation is moderated by <b>Hatem Bourial</b>,
journalist, critic and cultural mediator and presented by <b>Amira
Zili</b>.</p>
]]></summary>
        <content type="html"><![CDATA[
        <ul>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_ETAN_774</id>
    <title type="html"><![CDATA[
        Lord Byron: Bicentenary Issue
                    | Études anglaises
            (2024/4 nº 77)
            ]]></title>
        <link href="https://shs.cairn.info/journal-etudes-anglaises-2024-4?lang=en" type="text/html" rel="alternate" />
            <published>2025-09-15T00:00:00+02:00</published>
                <updated>2025-10-03T00:00:00+02:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 383 to 384| Opening pages
                                    </li>
                            <li>
                     Pages 385 to 396| Introduction: Lord Byron <i>In Memoriam</i>, Yet Again
                                            |  Laurent Folliot
                                    </li>
                            <li>
                     Pages 397 to 414| Byron, <i>mise en scène.</i> “Self”-Dramatization and the Fiction
of Authenticity
                                            |  Christoph Bode
                                    </li>
                            <li>
                     Pages 415 to 432| “Outworn Europe”: Liberal Visions of South America in Byron’s “The
Age of Bronze” and in Barbauld’s <i>Eighteen Hundred and Eleven</i>
                                            |  Pauline Hortolland
                                    </li>
                            <li>
                     Pages 433 to 443| Harold’s Mobility as a Growth of Negativity: Byron’s <i>Childe
Harold’s Pilgrimage</i> and Nietzsche’s <i>Untimely Meditations</i>
                                            |  Martin Procházka
                                    </li>
                            <li>
                     Pages 444 to 461| “We are born for lateness”: Byron and Cixous Writing the Present
                                            |  Mirka Horová
                                    </li>
                            <li>
                     Pages 462 to 478| Byron in French: some recent translations
                                            |  Marc Porée
                                    </li>
                            <li>
                     Pages 479 to 486| Setting Byron to music
                                            |  Karol Beffa
                                    </li>
                            <li>
                     Pages 487 to 502| Spacing out time: Henry David Thoreau's quest for reality and civic
existence
                                            |  François Specq
                                    </li>
                            <li>
                     Pages 503 to 505| Reviews
                                    </li>
                            <li>
                     Pages 506 to 508| Notes on Contributors
                                    </li>
                            <li>
                     Pages 509 to 510| Acknowledgments to the expert reviewers
                                    </li>
                            <li>
                     Pages 511 to 513| Guidelines for Authors
                                    </li>
                            <li>
                     Pages 514 to 517| Concluding pages
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:E_RLC_394</id>
    <title type="html"><![CDATA[
        Varia
                    | Revue de littérature comparée
            (2025/2 nº 394)
            ]]></title>
        <link href="https://shs.cairn.info/journal-revue-de-litterature-comparee-2025-2?lang=en" type="text/html" rel="alternate" />
            <published>2025-09-15T00:00:00+02:00</published>
                <updated>2025-10-03T00:00:00+02:00</updated>
            <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 1 to 3| Front matter
                                    </li>
                            <li>
                     Pages 5 to 6| Foreword
                                            |  Pierre Brunel,  Daniel-Henri Pageaux,  Anne Teulade
                                    </li>
                            <li>
                     Pages 7 to 10| Introduction
                                            |  Thomas Buffet,  Gilles Darras,  Sylvie Le Moël
                                    </li>
                            <li>
                     Pages 11 to 22| An undesirable guest in Austria: Braun von Braunthal’s and Félicien
Malefille’s Don Juan
                                            |  Norbert Bachleitner
                                    </li>
                            <li>
                     Pages 23 to 33| Klingemann’s idealist and nihilist Don Juan
                                            |  Thomas Buffet
                                    </li>
                            <li>
                     Pages 34 to 45| Don Juan, the European? Borders and border crossing from Molière to
Baudelaire and Mozart, Hoffmann, Lenau and a few others
                                            |  Stéphane Gödicke
                                    </li>
                            <li>
                     Pages 46 to 56| Don Juan and the eternal moment. How to experiment the moment and
ist restitution by the word in Søren Kierkegaard’s, Nikolaus
Lenau’s and Christian Dietrich Grabbe’s work
                                            |  Sonja Kolberg
                                    </li>
                            <li>
                     Pages 57 to 67| To translate (or not to translate) Molière’s <i>Dom Juan</i> in the
romantic and postromantic Germany
                                            |  Sylvie Le Moël
                                    </li>
                            <li>
                     Pages 68 to 76| <i>Don Juan</i>: A Hoffmannian reading of <i>Don Giovanni</i>
                                            |  Alain Muzelle
                                    </li>
                            <li>
                     Pages 77 to 94| Vladimir Nabokov’s <i>Lolita</i>: mosaic and amplification of three
short stories written by Valery Larbaud?
                                            |  Clara Montibeller
                                    </li>
                            <li>
                     Pages 95 to 106| XXIst century environmental literature and the metaphor of
translation (Despret, Martin, de Toledo)
                                            |  Marine Aubry-Morici
                                    </li>
                            <li>
                     Pages 107 to 120| Hutcheson Macaulay Posnett: the universalist thinking of an
academic at the end of the&#160;19th century
                                            |  Dominique Peyrache-Leborgne
                                    </li>
                            <li>
                     Pages 121a to 122| Lori SAINT-MARTIN, <i>Pour qui je me prends</i>, Paris, L’Olivier,
2023 [1<sup>re</sup> éd. Boréal, 2020], 160 pages.
                                            |  François Géal
                                    </li>
                    </ul>
    ]]></content>
</entry>
            </feed>
