Volume !
Journal issue

Countercultures no. 1

Volume !
2012/1 9:1


256 pages

Cite this issue

2012. Countercultures no. 1. Rennes : Presses universitaires de Rennes. « Volume ! », 2012/1 9:1, p.256. URL : https://shs.cairn.info/journal-volume-2012-1?lang=en.
Countercultures no. 1. Volume !, 91, 1, 2012, shs.cairn.info/journal-volume-2012-1?lang=en.
Countercultures no. 1. (2012). Volume ! , (9:1), https://shs.cairn.info/journal-volume-2012-1?lang=en.
Table of contents

Presentation

With this first of our "countercultures" dossier, we start with Andy Bennett’s introduction which examines the definition of the concept, before getting into theoretical questions, with Ryan Moore’s article on the relationship between the music of the 1960s counterculture and modernism, and Simon Warner’s articles on Andy Warhol’s "trash" aesthetic.
The second part deals with countercultural scenes in Italy, with Giovanni Vacca’s paper on the Neapolitan song, then three articles on the punk movement, with the Taqwacores Muslim punks (Aline Macke), Do It Yourself production ethics (Fabien Hein) and skinheads (Gildas Lescop). We then conclude with Philippe Birgy account of how local pop adapted the counterculture to the French context.
The English version of both issues, Countercultures and Popular Music, was published by Ashgate in June 2014, with additional papers.
French

Table of contents

Introduction

Journal article

Countercultures: Music, Theories, and Scenes

Journal article

Reappraising “Counterculture”

Theory

Journal article

“Break on Through”: Counterculture, Music, and Modernism in the 1960s

Journal article

The Banality of Degradation: Andy Warhol, the Velvet Underground, and the Trash Aesthetic

Scenes

Journal article

Music and Counterculture in Italy: The Neapolitan Scene

Journal article

Taqwacore: The Emergence of an American-Muslim Counterculture

Journal article

DIY as a Counterculture Dynamic? The Example of the Punk Rock Scene

Journal article

Skinheads: From Reggae to Rock against Communism

Journal article

Yéyé and American Counterculture Importation in France

Special Issue's Reviews

Journal article

Andy Bennett, ed. Remembering Woodstock

Journal article

Claude Chastagner. Révoltes et utopies. Militantisme et contre-culture dans l'Amérique des années soixante

Journal article

Barbara Lebrun. Protest Music in France: Production, Identity and Audiences

Journal article

Ian Peddie (ed.), Popular Music and Human Rights I & II

Journal article

Keith Negus. Bob Dylan

Journal article

Russell Reising, ed. “Speak to Me”: The Legacy of Pink Floyd's. The Dark Side of the Moon

Journal article

Kevin Fellezs. Birds of Fire: Jazz, Rock, Funk and the Creation of Fusion

Varia

Journal article

Make Believe Ballroom Times: The Influence of DJs on the Methods of Interpreting and Composing Anglo-American Popular Music

Review

Journal article

Seminar on the Social History of Rock Music

Miscellaneous Reviews

Journal article

Fréderic Martel. Mainstream: Enquête sur cette culture qui plaît à tout le monde

Journal article

Talia Bachir-Loopuyt, Clément Canonne, Pierre Saint-Germier, and Barbara Turquier, eds. “Improviser. De l'art à l'action.” Tracés, Revue de sciences humaines

Publication date: 11/20/2012

Uploaded: 11/20/2012

ISBN 9782913169326

This issue is available in conditional access

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